As a blind person might see the world if the gift of sight were suddenly returned—this is how we might describe the effect of William Turner's paintings on the observer. John Ruskin, Turner's uncompromising 19th-century defender, alluded to this idea when he spoke of an "innocence of the eye" which perceived the world's colours and forms before it could recognize their significance.
But to develop such a style, William Turner (1775-1851) first had to overcome the legacy of late rococo academic teachings. He was simultaneously a romantic and a realist—and yet he transcended both styles. His landscapes, far in advance of their time, have been called forerunners of Impressionism, yet they also possess traits that influenced Expressionism, and many of his late compositions are undeniably surrealistic.
Turner's art cannot be bound by such classifications, and remains an oddity to art history even today. His work arises from a unique relation to the nature that it depicts: through his brilliant sketches, he found a rigorously open kind of painting in which nature sets free the use of colour. And through the workings of the natural elements—especially atmospheric light—Turner confronted nature at the point where nature itself is an image. This book opens up Turner's paintings for the eye, demonstrating that he was not simply illustrating nature, but that his pictures speak directly to the eye as nature does itself—through a world of light and colour.
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Book Description Condition: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Seller Inventory # K07A-02355
Book Description Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 9405422-6
Book Description Paperback. Condition: Very Good. 1st. 240 pages, colour illustrations; 29 cm. Published on the occasion of an exhibition held at the National Gallery of Australia, 16 March to 10 June 1996. Near fine. Firm binding, clean inside copy. Light edgewear to wraps, age toning. OVERSIZE! No priority/international, except by special arrangement. Richly illustrated with colour plates. CONTENTS: Past and Present: Turner and his Brother Artists, by Andrew Wilton; Dunstanborough Castle, 1797-1834, by Evelyn Joll; Rule, Brittania?; Patriotism, Progress and the Picturesque in Turner's Britain, by David Blayney Brown; Picturesque Views in England and Wales; The Burning of the Houses of Parliament, by Evelyn Joll; Turner: A Watershed in Watercolour, by John Gage; The Late Swiss Watercolours, by Irena Zdanowicz; Venetian Journey, by Margaret Plant; Turner's Last Journey, by John Golding; Being There, by Michael Lloyd; Turner and the Origins of Landscape Painting in Australia, by Andrew Sayers; Liber Studiorum; List of Works in the Exhibition; Index of Works by J.M.W. Turner illustrated in this Catalogue. Size: 4to. Seller Inventory # 099088
Book Description Soft cover. Condition: As New. No Jacket. 1st Edition. AS NEW/NO DJ, Stiff Wraps, 4to., 240 pgs. The exhibition catalog for the show that ran in Canberra and Melbourne from 16 March-10 September 1996, the most comprehensive assemblage of the artist's paintings and watercolours ever organized in Australia. A lavish, all color production with two of the broadside leaflets from the exhibition laid in. Potential international buyers please note that due to the weight of this catalog the least expensive airmail rate from the US is 1 1/2 times the cost of the catalog itself. Seller Inventory # 5583-4-7
Book Description 29.0 x 24.0cms, 240pp, Colour Illusts, very good paperback & cover (exhibition catalogue) This book has 11 essays including: Turner and his brother artists; Dunstanborough Castle; patriotism, progress and the picturesque in Turner's Britain; the burning of the Houses of Parliament; a watershed in watercolour; the late Swiss watercolours; Venetian journey; Turner's last journey; being there; Turner and the origins of landscape painting in Australia. Seller Inventory # 159151
Book Description 29.0 x 24.0cms, 240pp, Colour Illusts, very good+ paperback & cover (exhibition catalogue) This book has 11 essays including: Turner and his brother artists; Dunstanborough Castle; patriotism, progress and the picturesque in Turner's Britain; the burning of the Houses of Parliament; a watershed in watercolour; the late Swiss watercolours; Venetian journey; Turner's last journey; being there; Turner and the origins of landscape painting in Australia. Seller Inventory # 195296
Book Description Softcover. Condition: Very Good. Turner (illustrator). First Edition. Directors' foreword, sponsors of the exhibition, acknowledgements, lenders to the exhibition list of abbreviations, list of works in the exhibition, index of works of J. M. W. Turner illustrated in this catalogue, photographic credits and contributing authors. The text is illustrated with reproductions of Turner's artwork. Illustrated paperback binding with white coloured titles to the front panel and back strip. This catalogue of Joseph Mallard William Turner's works (1775  1851) produced to coincide the Turner exhibition and reproduces in colour quite a number of his works. The book has essays on aspects of his work, and on Turner and the origins of landscape painting in Australia written by Andrew Sayers. The book was printed by Thames and Hudson of Port Melbourne. Minor rubbing of the book edges and panels. Previous owner has notated where they purchased the book to the top left hand corner of the half title page. Size: 4to 9¾" - 12" tall. 240 pages. Please refer to accompanying picture (s). Illustrator: Turner. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; Catalogue; catalogue; ISBN: 0500974373. ISBN/EAN: 9780500974377. Inventory No: 0288046. Seller Inventory # 0288046
Book Description Softcover. Condition: Very Good. Turner (illustrator). First Edition. There is no damage to describe, no annotations, no underlining. This catalogue of Joseph Mallard William Turner's works (1775  1851) produced to coincide the Turner exhibition and reproduces in colour quite a number of his works. The book has essays on aspects of his work, and on Turner and the origins of landscape painting in Australia written by Andrew Sayers. The book was printed by Thames and Hudson of Port Melbourne Size: 4to 9¾" - 12" tall. 240 pages. Please refer to accompanying picture (s). Illustrator: Turner. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Art & Design; catalogue; ISBN: 0500974373. ISBN/EAN: 9780500974377. Inventory No: 0285166. Seller Inventory # 0285166
Book Description Paperback. Condition: Very Good. 0500974373. large format, 1996 clean bright copy. Seller Inventory # 115778
Book Description Softcover exhibition catalog, 240 pages, very good condition, no internal marks. Priority and foreign shipping may be extra. Seller Inventory # TuLlNa40