From the Back Cover:
Praise for The Fortunes
“The Fortunes is wonderfully lucid and sharply imagined. From the very first page, the people in this novel rise from history and we root for them, empathizing with them, as they make their way in the early American West and beyond. It was so easy to be lost in the story, to walk with them for a while, loving and longing and grieving with them. Readers will be richer for it.”
—Jesmyn Ward, author of Salvage the Bones
“Only a writer as gifted as Peter Ho Davies could capture the full weight of a century’s history with such an extraordinary lightness of touch. In his deft hands the dust falls away from a collection of hoary images—the building of the transcontinental railroad, the steaming laundry in Chinatown, the Dragon Lady flickering onscreen—revealing Chinese-American lives and desires in all their freshness, intensity, contradictoriness, and depth. Buoyant yet profound, unsentimental yet affecting, and above all beautifully written, The Fortunes reimagines in thrilling ways what the multigenerational immigrant novel can be.”—Sarah Shun-lien Bynum, author of Ms. Hempel Chronicles
“Panoramic in scope yet intimate in detail, The Fortunes might be the most honest, unflinching, cathartically biting novel I’ve read about the Chinese-American experience. It asks the big questions about identity and history that every American needs to ask in the twenty-first century.”—Celeste Ng, author of Everything I Never Told You
“The Fortunes is a genre bender, unique in conception and rich in resonance. It combines fiction with history and myth and depicts a different kind of America, one produced by the mingling of races and cultures. This book illuminates an obscure side of the immigrant experience.”—Ha Jin, author of A Map of Betrayal
From the Inside Flap:
The author of The Welsh Girl returns with a groundbreaking, provocative new novel.
Ah Ling, the son of a prostitute and a “ghost”—a white man-- is sent from his homeland to make his way alone in California. From humble laundry worker, he will rise to valet for a powerful railroad baron and unwittingly ignite an explosion in Chinese labor.
Anna May Wong, the first Chinese film star in Hollywood, is forbidden to kiss a white man on screen. Shut out of leading roles, cast only as Dragon Lady or Butterfly, she must find her place between two worlds and two cultures.
Vincent Chin, aspiring all-American, is killed by a pair of Detroit auto workers simply for looking Japanese. He will become the symbol for a community roused to action in the face of hatred.
John Ling Smith, though half-Chinese, doesn’t speak the language. When he visits China for the first time to adopt a baby girl, he sees the long history of both cultures coming together in the spark of a new century.
Inhabiting four lives—three inspired by real historical characters, The Fortunes captures and capsizes more than a century of our history, recasting the story of America through the lives of Chinese Americans. It brilliantly reimagines the multigenerational novel, looking through the prismatic fractures of immigrant experience, and showing that even as family bonds are denied and broken, a community can survive—as much through love as blood.
Building fact into fiction, spinning fiction around fact, The Fortunes is sly, funny, intelligent, and artfully structured. It proves, once again, that, in the words of Elizabeth McCracken: “He can do anything, and he does.” In this wonder of a novel, Peter Ho Davies offers not just marvelous storytelling, not just prose that sings and humor that bites, but also a rallying, hopeful vision of what it might mean to be American.
"About this title" may belong to another edition of this title.