Opera, or the Undoing of Women - Softcover

Catherine Clement

Softcover

ISBN 10: 0816635269 ISBN 13: 9780816635269

Publisher: University of Minnesota Press, 1999

Synopsis

This was the first work to have applied a systematised feminist theory to opera. It concentrates on the stories & text of opera, that perhaps have more relevence today in a growing literature than it had when it was the sacrilegious pioneering work.

About this title

Review:

The title makes it clear: this is a book with an emphatic point of view. Clément, a French feminist philosopher, has written an intensely subjective meditation on the unhappy fate of women in opera. The result is often infuriating, sometimes enlightening.

Clément is an enthusiast whose passion for opera struggles with revulsion at much of its content. Critics are dry, remote--and male. She prefers a poetic, Freudian approach that leaves out something crucial to her argument: cultural context. The grim choices historically available to women haven't been peculiar to opera: murder, suicide, disease, and madness have also been their lot in drama and the novel. Perhaps it's Western civilization that has been the undoing of women.

Clément finds the experience of the opera house almost too powerful. Here she examines texts with an awareness not "dimmed by beauty and the sublime," an exercise that has a cumulative effect. She highlights the social framework of plots otherwise exalted by music: in La Bohème, a bitter tale of freezing poverty; in Tosca, a heroine who acts against a police state; in The Magic Flute, a battle of the sexes told by the winning side (i.e., male). But La Fanciulla del West, with a victorious central character, has never been as popular: "Opera lovers do not like this antiheroine. She is made for tomorrow."

By the lengthy final chapter, on the Ring cycle, the author has relaxed her argument. She casts an eye on both male and female, on the themes of love, incest, and the triumph of human over god. Her ecstatic response to the cycle's music--not to mention the gender-indiscriminate "undoing"--lays her conflict with opera to rest. She is, as she says elsewhere, "silenced by emotion."

Clément's writing, in Betsy Wing's deft translation, is amusing and unacademic. Her readings entertain without always persuading--or even involving--the reader. In that way, the book evokes Wayne Koestenbaum's The Queen's Throat, another case of a sensibility run rampant. Like that book, The Undoing of Women can inspire fruitful thoughts despite its own perverseness. --David Olivenbaum

Language Notes:

Text: English, French (translation)

About this edition

• Publisher: University of Minnesota Press
• Publication date: 1999
• ISBN 10: 0816635269
• ISBN 13: 9780816635269
• Binding: Paperback
• Edition number: 1
• Number of pages: 224