The Water Children: A Novel - Hardcover
For fans of Audrey Niffenegger and Maggie O'Farrell, The Water Children is a sensual, richly atmospheric drama of passion, betrayal, revenge, and redemption.
WHAT WILL DESTROY ONE CHILD WILL BE THE MAKING OF ANOTHER.
From the icy banks of a secluded country pond to the fevered core of a historic London heat wave and immersion in an abandoned underwater village in the Tuscan mountains, four young people—each of whose lives has been irrevocably altered by water— converge in this brilliantly plotted drama of passion, betrayal, revenge, and redemption.
Owen is haunted by nightmares of the Merfolk. He believes they have stolen his little sister, who vanished while he was meant to be watching her on the beach. But he was only a child himself. Is it fair for his mother to have blamed him all these years?
Catherine’s perfect Christmas was ruined when she went skating on a frozen pond with her cousin and the other girl nearly died. Yet it is Catherine who feels, as she says, “permanently trapped under the ice.”
Sean grew up on a farm in Ireland. Learning to swim in the River Shannon was his way of escaping the bitter poverty of his childhood, but communing with the river spirits incurred his superstitious father’s wrath.
Naomi never feared the water. She was orphaned, cruelly abused, and the sea offered a cleansing balm; she reveled in the ocean’s power. But Naomi has another secret buried deep within her, and during one searing hot summer she will be the catalyst for the coming together—and tearing apart—of the water children.
WHAT WILL DESTROY ONE CHILD WILL BE THE MAKING OF ANOTHER.
From the icy banks of a secluded country pond to the fevered core of a historic London heat wave and immersion in an abandoned underwater village in the Tuscan mountains, four young people—each of whose lives has been irrevocably altered by water— converge in this brilliantly plotted drama of passion, betrayal, revenge, and redemption.
Owen is haunted by nightmares of the Merfolk. He believes they have stolen his little sister, who vanished while he was meant to be watching her on the beach. But he was only a child himself. Is it fair for his mother to have blamed him all these years?
Catherine’s perfect Christmas was ruined when she went skating on a frozen pond with her cousin and the other girl nearly died. Yet it is Catherine who feels, as she says, “permanently trapped under the ice.”
Sean grew up on a farm in Ireland. Learning to swim in the River Shannon was his way of escaping the bitter poverty of his childhood, but communing with the river spirits incurred his superstitious father’s wrath.
Naomi never feared the water. She was orphaned, cruelly abused, and the sea offered a cleansing balm; she reveled in the ocean’s power. But Naomi has another secret buried deep within her, and during one searing hot summer she will be the catalyst for the coming together—and tearing apart—of the water children.
"synopsis" may belong to another edition of this title.
About the Author:
Anne Berry was born in London in 1956, moving on to Hong Kong at the age of six, where she was educated. She founded a small drama school, writing and directing more than thirty plays in ten years, and now lives in Surrey with her husband and four children. Her first novel, The Hungry Ghosts, was a finalist for the Commonwealth Writers’ Prize.
Excerpt. © Reprinted by permission. All rights reserved.:
1
1961
It is the recipe for a perfect day. The sun beats down from a cloudless blue sky. The air fizzes with heat and salt. The sea glitters and shifts and curls and breaks along the three-mile stretch of pale-gold Devonshire sand—Saunton Sands. It somersaults over mossy rocks and tangled tresses of tide wrack. It sends the beach into a nervous, excited jitter. The seesawing cry of gulls rises to a crescendo with their swoops and nosedives, then quiets as the curved beaks snap at darting fish. Apart from a few surfers riding the breakers, and sporadic clusters of people guiltily enjoying their midweek leisure break, this coastal paradise is deserted. But then it is still early morning.
Like the day itself, the Abingdon family have all the right ingredients to be perfect. It only remains to see what happens when you blend them all together. They are stepping onto the beach now, arms full, trudging determinedly through the unresisting sand. There is the mother, Ruth, tall and willowy in build, and the father, Bill, prematurely balding, a couple of inches shorter than his wife and broad-chested as a weight lifter. And then come the two children, a tousled, fair-haired, leggy boy of eight, Owen, pulling a sturdy little girl who is almost five after him, Sarah. Sarah is protesting, her plaintive whines muffled by her scrap of a comfort blanket, once pink, now greyed, frayed and faded with constant mouthing.
“Tell Sarah to walk properly,” Owen calls after his parents. Neither of them pauses. This expedition to find the right spot, the precise one in this unfamiliar desert terrain, is a serious business. “She’s dragging her feet!” He gives his sister’s tiny hand a shake and pulls his brow down before rounding on her in his frustration. The sun is in his eyes so that he cannot see her face clearly. “I can’t carry you and the bag, now can I?” Sarah, who clearly doesn’t see the logic of her brother’s words, or chooses not to, sits down with a thump on the sand. Sighing with an exaggerated heave then slump of his slight shoulders, the way he has seen his mother do, Owen lets go of her hand.
“Mum, Sarah’s being really naughty!” he cries out, but not very loudly, not nearly as loudly as he can, certainly not loudly enough to summon back his mother.
He pauses to see if his sister, fearing a reprimand, will rise to her feet, then make an effort to keep up. His life would be so much easier if only she would cooperate. But Sarah only grinds her little bottom deeper into the sand and mutinously thrusts a thumb in her mouth. “Do you have to be such a big baby?” Owen sets down his bag and drops to his knees. Hooding his eyes with a bent elbow, he can see that his sister’s, a lighter shade of blue than his own, a radiant blue, and big and round, are wet-lashed, that her bottom lip is quivering. She reaches her needy arms up to him. Instantly he feels the tightness in his chest loosen, the irritation with this sister of his, this annoying millstone, fall away as if it never was. With one hand he strokes her loose curls, so pale they are almost white, so soft they feel like dust.
“Don’t cry, Sarah, don’t cry. It’s all right. We’ll go more slowly, I promise.” He wants to hug her, to draw the stubborn pillow of her body close to his, but he feels a bit awkward out here in the open. At home cuddling her is fine, nice really, but maybe not in public. Leastways, his parents never hug outdoors, or indoors either now he thinks of it, definitely not in front of him anyway. Compromising, he moves to tickle her armpit. She gives a squeak of a giggle and rewards him with her special smile, the one warm enough to melt steel. He takes up his bag and they stand together, clasp hands, and move clumsily onwards, as if their legs are tied together in an obstacle race.
But ahead of him his mother has stopped. She is looking back at them and his father is striding towards him, so perhaps aid is on its way after all.
“Daddy!” exclaims Sarah in delight, and Owen’s father moves straight past him to scoop his daughter right out of his son’s grasp.
His father, Owen observes, as he watches him twirling Sarah about in his arms, is not dressed for the beach. Owen is wearing a white cotton shirt and tan shorts, his mother, a summer halter-neck dress with a pattern of daisies on a turquoise background. Sarah is wearing a green-and-yellow skirt and a cotton blouse with frilly short sleeves. They all have their swimming costumes on underneath their clothes. They changed into them at the guesthouse before they left. But his father is wearing a long-sleeved shirt, a blazer, and trousers, all grey, and his shoes are polished to the gleam of a conker. On his head sits a straw boater. He looks so silly, so absurdly formal that Owen wants to burst out laughing. It is as if he has gone to lots of trouble to dress up for the beach, when most people are dressing down. He shakes his head when Owen asks if he will look after Sarah.
“Can’t be done,” he says, setting Sarah down gently and planting a swift kiss on her head. “On an important mission, son. Off to fetch some rocks to secure the beach mat. Got my orders and have to jump to it. You know the drill, old chap. Your mother’s setting up camp,” he adds with a grin, gesturing in the direction of his wife. His Welsh accent is very faint. But Owen wishes even the trace of it would vanish. To him it sounds silly, vaguely comic, as if his father is a buffoon off a television comedy. Now Owen follows the direction of his stiff military hand and sees that his mother is indeed setting up camp, that she seems to be unpacking so much they might be going to stay here for a week. “Still, not much farther to go now. Sarah, you be good for your big brother. Chin up, Owen. Forward ho, eh?”
And then he is gone, head down, marching determinedly, his arms moving like pistons. Owen sighs. He and his sister are wearing leather sandals. Following his father’s gleaming shoes digging into the sand, the spray flying up behind him, Owen ponders that he would have taken a fair load on board by now, that each step must be uncomfortable. He grazes the corner of his mouth with his upper teeth, grasps Sarah’s pudgy hand once more, and sets off after his mother. By the time he reaches her, he is feeling hot and cross again and rather wishing they had not come on this outing at all. It is supposed to be a treat, but it is beginning to feel more like torture.
He can see that his mother is itching to unpack, to unroll the beach mat and declare ownership of their plot. The breeze keeps freeing wisps from her ponytail, and he can tell by that slight nervous tick in her cheek that she, too, is irritated. She satisfies herself by unrolling the windbreak and with her son’s assistance driving the wooden sticks into the sand. Sarah is sitting down on the bright beach towel their mother has opened out for her and babbling to herself in a musical baby talk that she alone understands. She fills her chubby fists with sand and drops it all very deliberately in the lap of her skirt, marvelling at how the material dips, at how heavy the slippery yellow stuff is.
Ruth looks at her dimpled daughter, plump as a dumpling, blond-haired, blue-eyed, and the sight of her lifts her heavy heart and fills it with light. She scolds her, but her tone is at odds with her words, and her lips twitch upwards. She takes off Sarah’s blouse and skirt and shakes the sand from them. Then she makes an arch of her hands over her brow and scans the beach in search of her returning husband. But there is no sign of him. She clucks impatiently and starts to talk under her breath. Perhaps she thinks that Owen cannot hear her when she speaks like this, but he can. Sometimes he thinks that he is especially sensitive to these mutterings, as if he is tuned into their hissing sound waves, much like a wireless set.
“That’d be right. Just like your father. He can’t pick up any old rocks. Oh no! He has to make a performance of choosing them, selecting them, hefting them over and over in his hands. How heavy are they? How smooth? How suitable for the task? As if anybody cares. As if anyone gives a damn. They’re just rocks for goodness’ sake, rocks to hold down the blessed mat, not the supporting columns of the Acropolis!”
As she speaks, she unrolls a small portion of the mat, sets Sarah upon it, lifts and shakes out the towel, and tucks it away again. She pulls a white sailor’s hat from a bag, tugs it over her daughter’s breeze-rumpled curls, and slips off her sandals. And then she instructs Owen to sit with his sister.
“I’m going to find your father,” she says, swatting back the flying wisps of her own hair with a few slaps of her hand. “You are to stay here with Sarah till I get back.” Owen is only half listening. He is eyeing up the new beach ball they have brought with them. It is the blow-up kind, red and white, and he can just see it peeping out of the largest holdall between the clutter of buckets and spades. “Do pay attention, Owen. You’re to look after Sarah while I’m gone.” Owen gazes skywards. He envies the seagulls, he really does, screeching and flapping about any old how. At least they are free—not always being asked to mind pesky little sisters prone to getting into trouble. Sometimes he wishes that he has a brother in her place, a rough-and-tumble boy who adores him and trails obediently after him, like a puppy, doing everything Owen tells him to—and not a contrary, disobedient girl. Girls are trouble. They are so independent, such a handful. He will never manage to train Sarah.
“Owen, are you listening to me?” his mother says now.
“Yes, I heard,” he replies sulkily. He rolls his eyes. And when his mother gives him that look of hers, the one where she raises her eyebrows, tightens her mouth, and puts her head on one side, he speaks again. “I’ll watch her. I promise.” They are always worrying about Sarah, he thinks dully. Never about him. Always Sarah, Sarah, Sarah! Oh, he doesn’t mind really, it’s only that sometimes he would like them to be interested in him, perhaps even a bit concerned if he grazes a knee or something. I mean, he isn’t a crybaby like Sarah is, but it would be nice if they told him he was brave. Yes, that would be really nice.
His mother nods curtly, hesitates for a moment, then with another of those looks walks off in the direction that his father went. After a minute they can’t even see her, not with the windbreak in the way.
“You’re a brave boy, Owen!” He tries the words out for size and finds they fit very well. “You’re a brave boy, Owen!” he repeats, and the sentence feels as catchy as an advertising slogan. Sarah, by his side, glances up.
“Bwave boy,” she says.
She can’t pronounce her r’s yet, but he supposes it’s quite cute really, and besides, she’ll probably grow out of it eventually. He clambers onto his knees and walks forward on them. Still on the mat, he can just reach the deflated ball. He stretches out a hand and retrieves it. Now for a bit of magic that will really impress his sister. “Watch this, Sarah,” he says, bringing the clear plastic nozzle to his lips. He blows and blows and slowly at first, then more rapidly, the ball swells, its glossy plastic skin growing taut. Sarah is delighted with the trick and claps her hands. “See, see how clever your older brother is.”
“Owen, it’s so lovely,” she gasps.
In one of those sudden impetuous moves of hers, Sarah throws her little arms around him. He took off his shirt while his mother was undressing his sister, and now he feels the ligature of her limbs tightening on his bare skin, her face rubbing against his chest. It is one of those mysterious moments when everything seems much larger. He can feel her hair, like water, and the unbelievable softness of her lips, and even her eyelashes moving. They are like a butterfly’s wings fluttering against him. The wind seems to be getting up a bit now, and although they can’t feel it because of the windbreak, they can see how it is battering the canvas and making the segments billow like sails.
He closes his eyes and concentrates on the squeeze of Sarah, so light he can push her away with one shrug, and yet so strong it brings a blocked-up feeling to his throat. And this feeling, the way he imagines a corked, fizzy drink must feel, wanting to burst out but not being able to, well ... it’s gigantic. It’s so gigantic, in fact, that there seems to be nothing more to him, just the squeeze of Sarah and the bursting feeling.
The tide is coming in and the waves seem to be getting bigger, not folding on the shore anymore but smashing against it. Owen decides he will be a surfer one day, that he will ride the rollers in like a cowboy on a water horse. The dark shapes balancing on their boards look like hitherto unknown sea creatures, sweeping towards the shore. And when at last they tumble off and clutch the dripping surfboards in their arms, it’s as if they are pushing giant sharks before them into the shallows, the upright boards, their fins. He bets it’s fun, more fun than driving a car even.
“Do you want to watch me kick the ball?” he asks, glancing down at the white-gold curls and disproportionally large hump of head. “Do you want me to show you how good I am at football?”
He feels Sarah nod rather than hears her. “Right then,” he says, pleased to be doing something. Disentangling himself from her, he springs up clutching the ball. “Watch this.”
The mat lifts a bit when he gets off it, but he can see that Sarah’s weight is still sufficient to partially anchor it down. He starts kicking the ball, just small taps at first, then running a few yards and kicking it back, as though there are two of him and not one. Sarah claps gratifyingly.
“Again,” she cries enraptured. “Again, Owen.”
She isn’t telling him he is brave, but ... well, it is near enough. For a while he knees it. Then a sudden gust of wind grabs it and runs with it towards the sea, so that he has to give chase. Behind him he hears Sarah call.
“Owen! Owen! Owen, don’t go!”
“I’m only getting the ball. I won’t be a second,” he throws back over his shoulder.
“Don’t leave me, Owen.”
When he catches up with it, he glances back, just to make sure that Sarah has stayed put. But he need not have worried, she is sitting exactly where he left her, prattling to herself, counting on her fingers and staring around her, wide-eyed. They are not beach dwellers. In fact he can only remember going to the seaside a couple of times before. No, this is definitely a holiday outing, and an unusual one at that. Home is Wantage in Oxfordshire. His parents seem much happier hiring a caravan or camping and sitting in a field of green grass than coming into close proximity with the sea. Perhaps it is something to do with the fact that his father is a gardener, or that his mother doesn’t like the sand. She complains that it gets into everything—clothes, food, even your hair. She’ll start complaining today, he’s sure of it.
Owen hasn’t learnt to swim yet. There has been talk at his school of taking the older classes to a pool and giving them proper lessons. But nothing has come of it so far. His parents are always promising to teach him, but ...
1961
It is the recipe for a perfect day. The sun beats down from a cloudless blue sky. The air fizzes with heat and salt. The sea glitters and shifts and curls and breaks along the three-mile stretch of pale-gold Devonshire sand—Saunton Sands. It somersaults over mossy rocks and tangled tresses of tide wrack. It sends the beach into a nervous, excited jitter. The seesawing cry of gulls rises to a crescendo with their swoops and nosedives, then quiets as the curved beaks snap at darting fish. Apart from a few surfers riding the breakers, and sporadic clusters of people guiltily enjoying their midweek leisure break, this coastal paradise is deserted. But then it is still early morning.
Like the day itself, the Abingdon family have all the right ingredients to be perfect. It only remains to see what happens when you blend them all together. They are stepping onto the beach now, arms full, trudging determinedly through the unresisting sand. There is the mother, Ruth, tall and willowy in build, and the father, Bill, prematurely balding, a couple of inches shorter than his wife and broad-chested as a weight lifter. And then come the two children, a tousled, fair-haired, leggy boy of eight, Owen, pulling a sturdy little girl who is almost five after him, Sarah. Sarah is protesting, her plaintive whines muffled by her scrap of a comfort blanket, once pink, now greyed, frayed and faded with constant mouthing.
“Tell Sarah to walk properly,” Owen calls after his parents. Neither of them pauses. This expedition to find the right spot, the precise one in this unfamiliar desert terrain, is a serious business. “She’s dragging her feet!” He gives his sister’s tiny hand a shake and pulls his brow down before rounding on her in his frustration. The sun is in his eyes so that he cannot see her face clearly. “I can’t carry you and the bag, now can I?” Sarah, who clearly doesn’t see the logic of her brother’s words, or chooses not to, sits down with a thump on the sand. Sighing with an exaggerated heave then slump of his slight shoulders, the way he has seen his mother do, Owen lets go of her hand.
“Mum, Sarah’s being really naughty!” he cries out, but not very loudly, not nearly as loudly as he can, certainly not loudly enough to summon back his mother.
He pauses to see if his sister, fearing a reprimand, will rise to her feet, then make an effort to keep up. His life would be so much easier if only she would cooperate. But Sarah only grinds her little bottom deeper into the sand and mutinously thrusts a thumb in her mouth. “Do you have to be such a big baby?” Owen sets down his bag and drops to his knees. Hooding his eyes with a bent elbow, he can see that his sister’s, a lighter shade of blue than his own, a radiant blue, and big and round, are wet-lashed, that her bottom lip is quivering. She reaches her needy arms up to him. Instantly he feels the tightness in his chest loosen, the irritation with this sister of his, this annoying millstone, fall away as if it never was. With one hand he strokes her loose curls, so pale they are almost white, so soft they feel like dust.
“Don’t cry, Sarah, don’t cry. It’s all right. We’ll go more slowly, I promise.” He wants to hug her, to draw the stubborn pillow of her body close to his, but he feels a bit awkward out here in the open. At home cuddling her is fine, nice really, but maybe not in public. Leastways, his parents never hug outdoors, or indoors either now he thinks of it, definitely not in front of him anyway. Compromising, he moves to tickle her armpit. She gives a squeak of a giggle and rewards him with her special smile, the one warm enough to melt steel. He takes up his bag and they stand together, clasp hands, and move clumsily onwards, as if their legs are tied together in an obstacle race.
But ahead of him his mother has stopped. She is looking back at them and his father is striding towards him, so perhaps aid is on its way after all.
“Daddy!” exclaims Sarah in delight, and Owen’s father moves straight past him to scoop his daughter right out of his son’s grasp.
His father, Owen observes, as he watches him twirling Sarah about in his arms, is not dressed for the beach. Owen is wearing a white cotton shirt and tan shorts, his mother, a summer halter-neck dress with a pattern of daisies on a turquoise background. Sarah is wearing a green-and-yellow skirt and a cotton blouse with frilly short sleeves. They all have their swimming costumes on underneath their clothes. They changed into them at the guesthouse before they left. But his father is wearing a long-sleeved shirt, a blazer, and trousers, all grey, and his shoes are polished to the gleam of a conker. On his head sits a straw boater. He looks so silly, so absurdly formal that Owen wants to burst out laughing. It is as if he has gone to lots of trouble to dress up for the beach, when most people are dressing down. He shakes his head when Owen asks if he will look after Sarah.
“Can’t be done,” he says, setting Sarah down gently and planting a swift kiss on her head. “On an important mission, son. Off to fetch some rocks to secure the beach mat. Got my orders and have to jump to it. You know the drill, old chap. Your mother’s setting up camp,” he adds with a grin, gesturing in the direction of his wife. His Welsh accent is very faint. But Owen wishes even the trace of it would vanish. To him it sounds silly, vaguely comic, as if his father is a buffoon off a television comedy. Now Owen follows the direction of his stiff military hand and sees that his mother is indeed setting up camp, that she seems to be unpacking so much they might be going to stay here for a week. “Still, not much farther to go now. Sarah, you be good for your big brother. Chin up, Owen. Forward ho, eh?”
And then he is gone, head down, marching determinedly, his arms moving like pistons. Owen sighs. He and his sister are wearing leather sandals. Following his father’s gleaming shoes digging into the sand, the spray flying up behind him, Owen ponders that he would have taken a fair load on board by now, that each step must be uncomfortable. He grazes the corner of his mouth with his upper teeth, grasps Sarah’s pudgy hand once more, and sets off after his mother. By the time he reaches her, he is feeling hot and cross again and rather wishing they had not come on this outing at all. It is supposed to be a treat, but it is beginning to feel more like torture.
He can see that his mother is itching to unpack, to unroll the beach mat and declare ownership of their plot. The breeze keeps freeing wisps from her ponytail, and he can tell by that slight nervous tick in her cheek that she, too, is irritated. She satisfies herself by unrolling the windbreak and with her son’s assistance driving the wooden sticks into the sand. Sarah is sitting down on the bright beach towel their mother has opened out for her and babbling to herself in a musical baby talk that she alone understands. She fills her chubby fists with sand and drops it all very deliberately in the lap of her skirt, marvelling at how the material dips, at how heavy the slippery yellow stuff is.
Ruth looks at her dimpled daughter, plump as a dumpling, blond-haired, blue-eyed, and the sight of her lifts her heavy heart and fills it with light. She scolds her, but her tone is at odds with her words, and her lips twitch upwards. She takes off Sarah’s blouse and skirt and shakes the sand from them. Then she makes an arch of her hands over her brow and scans the beach in search of her returning husband. But there is no sign of him. She clucks impatiently and starts to talk under her breath. Perhaps she thinks that Owen cannot hear her when she speaks like this, but he can. Sometimes he thinks that he is especially sensitive to these mutterings, as if he is tuned into their hissing sound waves, much like a wireless set.
“That’d be right. Just like your father. He can’t pick up any old rocks. Oh no! He has to make a performance of choosing them, selecting them, hefting them over and over in his hands. How heavy are they? How smooth? How suitable for the task? As if anybody cares. As if anyone gives a damn. They’re just rocks for goodness’ sake, rocks to hold down the blessed mat, not the supporting columns of the Acropolis!”
As she speaks, she unrolls a small portion of the mat, sets Sarah upon it, lifts and shakes out the towel, and tucks it away again. She pulls a white sailor’s hat from a bag, tugs it over her daughter’s breeze-rumpled curls, and slips off her sandals. And then she instructs Owen to sit with his sister.
“I’m going to find your father,” she says, swatting back the flying wisps of her own hair with a few slaps of her hand. “You are to stay here with Sarah till I get back.” Owen is only half listening. He is eyeing up the new beach ball they have brought with them. It is the blow-up kind, red and white, and he can just see it peeping out of the largest holdall between the clutter of buckets and spades. “Do pay attention, Owen. You’re to look after Sarah while I’m gone.” Owen gazes skywards. He envies the seagulls, he really does, screeching and flapping about any old how. At least they are free—not always being asked to mind pesky little sisters prone to getting into trouble. Sometimes he wishes that he has a brother in her place, a rough-and-tumble boy who adores him and trails obediently after him, like a puppy, doing everything Owen tells him to—and not a contrary, disobedient girl. Girls are trouble. They are so independent, such a handful. He will never manage to train Sarah.
“Owen, are you listening to me?” his mother says now.
“Yes, I heard,” he replies sulkily. He rolls his eyes. And when his mother gives him that look of hers, the one where she raises her eyebrows, tightens her mouth, and puts her head on one side, he speaks again. “I’ll watch her. I promise.” They are always worrying about Sarah, he thinks dully. Never about him. Always Sarah, Sarah, Sarah! Oh, he doesn’t mind really, it’s only that sometimes he would like them to be interested in him, perhaps even a bit concerned if he grazes a knee or something. I mean, he isn’t a crybaby like Sarah is, but it would be nice if they told him he was brave. Yes, that would be really nice.
His mother nods curtly, hesitates for a moment, then with another of those looks walks off in the direction that his father went. After a minute they can’t even see her, not with the windbreak in the way.
“You’re a brave boy, Owen!” He tries the words out for size and finds they fit very well. “You’re a brave boy, Owen!” he repeats, and the sentence feels as catchy as an advertising slogan. Sarah, by his side, glances up.
“Bwave boy,” she says.
She can’t pronounce her r’s yet, but he supposes it’s quite cute really, and besides, she’ll probably grow out of it eventually. He clambers onto his knees and walks forward on them. Still on the mat, he can just reach the deflated ball. He stretches out a hand and retrieves it. Now for a bit of magic that will really impress his sister. “Watch this, Sarah,” he says, bringing the clear plastic nozzle to his lips. He blows and blows and slowly at first, then more rapidly, the ball swells, its glossy plastic skin growing taut. Sarah is delighted with the trick and claps her hands. “See, see how clever your older brother is.”
“Owen, it’s so lovely,” she gasps.
In one of those sudden impetuous moves of hers, Sarah throws her little arms around him. He took off his shirt while his mother was undressing his sister, and now he feels the ligature of her limbs tightening on his bare skin, her face rubbing against his chest. It is one of those mysterious moments when everything seems much larger. He can feel her hair, like water, and the unbelievable softness of her lips, and even her eyelashes moving. They are like a butterfly’s wings fluttering against him. The wind seems to be getting up a bit now, and although they can’t feel it because of the windbreak, they can see how it is battering the canvas and making the segments billow like sails.
He closes his eyes and concentrates on the squeeze of Sarah, so light he can push her away with one shrug, and yet so strong it brings a blocked-up feeling to his throat. And this feeling, the way he imagines a corked, fizzy drink must feel, wanting to burst out but not being able to, well ... it’s gigantic. It’s so gigantic, in fact, that there seems to be nothing more to him, just the squeeze of Sarah and the bursting feeling.
The tide is coming in and the waves seem to be getting bigger, not folding on the shore anymore but smashing against it. Owen decides he will be a surfer one day, that he will ride the rollers in like a cowboy on a water horse. The dark shapes balancing on their boards look like hitherto unknown sea creatures, sweeping towards the shore. And when at last they tumble off and clutch the dripping surfboards in their arms, it’s as if they are pushing giant sharks before them into the shallows, the upright boards, their fins. He bets it’s fun, more fun than driving a car even.
“Do you want to watch me kick the ball?” he asks, glancing down at the white-gold curls and disproportionally large hump of head. “Do you want me to show you how good I am at football?”
He feels Sarah nod rather than hears her. “Right then,” he says, pleased to be doing something. Disentangling himself from her, he springs up clutching the ball. “Watch this.”
The mat lifts a bit when he gets off it, but he can see that Sarah’s weight is still sufficient to partially anchor it down. He starts kicking the ball, just small taps at first, then running a few yards and kicking it back, as though there are two of him and not one. Sarah claps gratifyingly.
“Again,” she cries enraptured. “Again, Owen.”
She isn’t telling him he is brave, but ... well, it is near enough. For a while he knees it. Then a sudden gust of wind grabs it and runs with it towards the sea, so that he has to give chase. Behind him he hears Sarah call.
“Owen! Owen! Owen, don’t go!”
“I’m only getting the ball. I won’t be a second,” he throws back over his shoulder.
“Don’t leave me, Owen.”
When he catches up with it, he glances back, just to make sure that Sarah has stayed put. But he need not have worried, she is sitting exactly where he left her, prattling to herself, counting on her fingers and staring around her, wide-eyed. They are not beach dwellers. In fact he can only remember going to the seaside a couple of times before. No, this is definitely a holiday outing, and an unusual one at that. Home is Wantage in Oxfordshire. His parents seem much happier hiring a caravan or camping and sitting in a field of green grass than coming into close proximity with the sea. Perhaps it is something to do with the fact that his father is a gardener, or that his mother doesn’t like the sand. She complains that it gets into everything—clothes, food, even your hair. She’ll start complaining today, he’s sure of it.
Owen hasn’t learnt to swim yet. There has been talk at his school of taking the older classes to a pool and giving them proper lessons. But nothing has come of it so far. His parents are always promising to teach him, but ...
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- PublisherSimon & Schuster
- Publication date2012
- ISBN 10 1451642180
- ISBN 13 9781451642186
- BindingHardcover
- Number of pages336
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The Water Children: A Novel
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The Water Children: A Novel
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