Dream Machines (Technographies) - Softcover

9781785420368: Dream Machines (Technographies)
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Dream Machines is a history of imaginary machines and the ways in which machines come to be imagined. It considers seven different kinds of speculative, projected or impossible machine: machines for teleportation, dream-production, sexual pleasure and medical treatment and cure, along with ‘influencing machines’, invisibility machines and perpetual motion machines. The process of imagining ideal or impossible forms of machinery tends backwards or inwards, allowing a way for imagination itelf to be conceived as a kind of machinery, or ingenious engineering. Machines suggest to us ways of imagining the machinery we take ourselves to be, the workings not only of immune systems and neural networks, but also of dreams, desires and aspirations. This reflexivity means that representations of machines are always suffused with intense feeling. The larger aim of Dream Machines is to isolate a strain of the visionary that may be involved in all thinking and writing about machines. An imaginary machine may also be a way of imagining other kinds of thing that a machine can do and be. This is the sense in which all machines may in fact be said to be forms of media; for we have always dreamed of and with machines, always therefore dreaming through the machines we have been dreaming about.

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About the Author:
Steven Connor is Grace 2 Professor of English in the University of Cambridge. He is a writer, critic and broadcaster, who has published books on Dickens, Beckett, Joyce and postmodernism, as well as on topics such as ventriloquism, skin, flies, air and numbers. His website at stevenconnor.com includes lectures, broadcasts, unpublished work and work in progress.
Review:

“This is an engaging and imaginative exploration of various forms of writing, thinking, and fantasizing about dream machines, an endlessly fertile topic probed here from just about every possible angle ... a major intervention into current understandings of technology, literature, and identity.”
    Matthew Rubery – Queen Mary University of Londo

“... a deeply original contribution to the history and philosophy of technology and the cultural history of the imagination ...”
    Laura Salisbury – University of Exeter

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