Harry Lipkin, P.I.: The World's Oldest Detective - Softcover
He might not be the fastest PI in Miami, but Harry Lipkin is definitely the oldest. Harry's specialty is taking on the cases the police just aren't interested in - and his latest case is a doozy. Someone on the staff of wealthy widow Norma Weinberger is stealing from her. Nothing fancy, no diamond encrusted teapots or anything, but enough to rattle her. Harry takes on the case, navigating his way - gingerly - through a twilight world of boxing, gambling and gangs to find the truth. Elegantly written and illustrated throughout by the author, Harry Lipkin is a life-affirming tale of ageing and mortality as well as a laugh-out-loud whodunit. The fact that the guy keeps his gun next to his false teeth should tell you a lot.
"synopsis" may belong to another edition of this title.
About the Author:
Barry Fantoni has had a long and illustrious career in the arts - from writing scripts for That Was The Week That Was and presenting BBC series A Whole Scene Going (for which he won TV Personality of the Year) to writing and drawing cartoons for Private Eye and The Listener, and being an art critic for The Times. He attended the Slade School of Fine Art and was a key figure in the 1960s pop art movement. Barry now lives in France where he plays jazz, writes plays and poetry, and plans to write two volumes of memoirs.
Excerpt. © Reprinted by permission. All rights reserved.:
One
Harry Introduces Himself
Harry Lipkin. Eighty-seven. Eighty-eight next birthday. You think that's old? My mother lived to be a hundred and three. So. Make a note. Send Harry Lipkin a card and a box of soft candy. Something he can chew easy. No nuts. I don't digest nuts. Make yourself at home. Relax. You got some spare time? A little? I got plenty.
When I first started in this business, I rented a place in the center of Miami. Two rooms and a closet. I had a hand-painted sign on the door. Big gold letters: Harry Lipkin. Private Investigator. Standard Rates. It was on the third floor of a block on Camilo Avenue and cost me forty bucks a month.
Now I work from home. My card says 1909 Samuel Gompers Avenue, Warmheart, Florida. There's also a zip code I can never remember. Since no one writes anymore it doesn't bother me. My license I keep in the desk drawer, along with my .38, a box of slugs, my clothes brush, and a spare set of dentures. I might not be the best but I am certainly the oldest.
These days I deal mostly with the sort of cases the cops don't want. Cops want serial homicide. It makes them feel good when they catch someone. But how tough is it to catch a serial killer? You put his picture on TV. Nationwide. You wait. Ten days later a schoolteacher on her lunch break spots him. He's walking out of a Baskin Robbins in a hick town somewhere in Montana. That's him. The guy whose picture was on TV. Before you know it he's surrounded by a million armed cops telling him to drop everything and freeze. And then they shoot him. Ninety-nine cents' worth of vanilla, banana, and pistachio ice cream wasted.
You want to know about my home? The place I leave for the grocery store. The place I come back to from the grocery store. I'll tell you.
Warmheart is an architectural folly. A mix of Flemish and Florida. It was put up by a homesick Belgian called Herman Van Dood. He built it to look just like the town he left behind when the Germans took over in 1914. The houses are single story but with slate roofs thirty feet high. The incline is sixty-five degrees. Everyone else in Miami has a flat roof. You can stand on it and watch the sun go down. On mine you'd need to be a mountaineer.
Last month a hurricane took half the tiles off. Big heavy gray slate tiles. Van Dood imported them from Liege. They landed on the grass. They're still there. Some busted into bits. Some are half buried in what used to be the lawn when I cared about lawns. The tiles don't bother me either. But they bother the woman next door. Mrs. Feldman.
"When you gonna get those tiles put back?" she yells. "You think this is Gaza? It looks like a bomb zone."
I tell Mrs. Feldman I don't pay rent to climb ladders.
So. Here I am. No family and no buddies. Issy. Joe. Angelo from Napoli. Big Mal. Little Mal. Manny. Ike. All gone. My oldest buddy died last Purim. Abe Schultz. Born the same year. Same street. Abe's parents were Dutch Jews. Old man Schultz made cigars. They both had mustaches. His was a handlebar with waxed ends. Hers? Well. You couldn't wax the ends. Abe was a dentist before he retired. He made the spare set I keep in the desk drawer. He only charged me for the materials. Abe was that kind of a mensch.
People ask me. Clients. Usually clients. Clients with time on their hands. Were you ever married? I don't mind. They can ask what they like. I charge by the day.
I did try marriage. But it didn't last. I married Nancy. She had long legs and soft lips. Nancy was twenty years old when we got married. Just twenty. Twenty-one when she walked out. I came home one night late from a stakeout and she was gone. No note. Nothing. Just an empty clothes closet and the faint smell of her ten-cent perfume.
This office has a lot less space than the one I had before. So when I get a client I sit them in the yard. I got a little table and a couple of garden chairs. Plastic with cushions. Yellow. Bright yellow I can see easy. I picked them up in a garage sale. Three bucks and fifty cents. A table and two chairs. For another fifty cents the guy also threw in an umbrella.
Like the suit? I wear it to meet new clients. Brooks Brothers. Seersucker. Classic. 1953. Single-breasted. Loose fit, so the front doesn't go all baggy when I strap on my .38. Perfect for Miami in the summer. It is the same suit that I put on to meet Mrs. Norma Weinberger. Except there was no Mrs. Weinberger.
Harry Introduces Himself
Harry Lipkin. Eighty-seven. Eighty-eight next birthday. You think that's old? My mother lived to be a hundred and three. So. Make a note. Send Harry Lipkin a card and a box of soft candy. Something he can chew easy. No nuts. I don't digest nuts. Make yourself at home. Relax. You got some spare time? A little? I got plenty.
When I first started in this business, I rented a place in the center of Miami. Two rooms and a closet. I had a hand-painted sign on the door. Big gold letters: Harry Lipkin. Private Investigator. Standard Rates. It was on the third floor of a block on Camilo Avenue and cost me forty bucks a month.
Now I work from home. My card says 1909 Samuel Gompers Avenue, Warmheart, Florida. There's also a zip code I can never remember. Since no one writes anymore it doesn't bother me. My license I keep in the desk drawer, along with my .38, a box of slugs, my clothes brush, and a spare set of dentures. I might not be the best but I am certainly the oldest.
These days I deal mostly with the sort of cases the cops don't want. Cops want serial homicide. It makes them feel good when they catch someone. But how tough is it to catch a serial killer? You put his picture on TV. Nationwide. You wait. Ten days later a schoolteacher on her lunch break spots him. He's walking out of a Baskin Robbins in a hick town somewhere in Montana. That's him. The guy whose picture was on TV. Before you know it he's surrounded by a million armed cops telling him to drop everything and freeze. And then they shoot him. Ninety-nine cents' worth of vanilla, banana, and pistachio ice cream wasted.
You want to know about my home? The place I leave for the grocery store. The place I come back to from the grocery store. I'll tell you.
Warmheart is an architectural folly. A mix of Flemish and Florida. It was put up by a homesick Belgian called Herman Van Dood. He built it to look just like the town he left behind when the Germans took over in 1914. The houses are single story but with slate roofs thirty feet high. The incline is sixty-five degrees. Everyone else in Miami has a flat roof. You can stand on it and watch the sun go down. On mine you'd need to be a mountaineer.
Last month a hurricane took half the tiles off. Big heavy gray slate tiles. Van Dood imported them from Liege. They landed on the grass. They're still there. Some busted into bits. Some are half buried in what used to be the lawn when I cared about lawns. The tiles don't bother me either. But they bother the woman next door. Mrs. Feldman.
"When you gonna get those tiles put back?" she yells. "You think this is Gaza? It looks like a bomb zone."
I tell Mrs. Feldman I don't pay rent to climb ladders.
So. Here I am. No family and no buddies. Issy. Joe. Angelo from Napoli. Big Mal. Little Mal. Manny. Ike. All gone. My oldest buddy died last Purim. Abe Schultz. Born the same year. Same street. Abe's parents were Dutch Jews. Old man Schultz made cigars. They both had mustaches. His was a handlebar with waxed ends. Hers? Well. You couldn't wax the ends. Abe was a dentist before he retired. He made the spare set I keep in the desk drawer. He only charged me for the materials. Abe was that kind of a mensch.
People ask me. Clients. Usually clients. Clients with time on their hands. Were you ever married? I don't mind. They can ask what they like. I charge by the day.
I did try marriage. But it didn't last. I married Nancy. She had long legs and soft lips. Nancy was twenty years old when we got married. Just twenty. Twenty-one when she walked out. I came home one night late from a stakeout and she was gone. No note. Nothing. Just an empty clothes closet and the faint smell of her ten-cent perfume.
This office has a lot less space than the one I had before. So when I get a client I sit them in the yard. I got a little table and a couple of garden chairs. Plastic with cushions. Yellow. Bright yellow I can see easy. I picked them up in a garage sale. Three bucks and fifty cents. A table and two chairs. For another fifty cents the guy also threw in an umbrella.
Like the suit? I wear it to meet new clients. Brooks Brothers. Seersucker. Classic. 1953. Single-breasted. Loose fit, so the front doesn't go all baggy when I strap on my .38. Perfect for Miami in the summer. It is the same suit that I put on to meet Mrs. Norma Weinberger. Except there was no Mrs. Weinberger.
"About this title" may belong to another edition of this title.
- PublisherBirlinn
- Publication date2013
- ISBN 10 1846972701
- ISBN 13 9781846972706
- BindingPaperback
- Number of pages208
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