SUSPENSION (FR-EN): UNE HISTOIRE AERIENNE DE LA SCULPTURE ABSTRAITE 1918-2018 (French Edition) - Hardcover

9782370741011: SUSPENSION (FR-EN): UNE HISTOIRE AERIENNE DE LA SCULPTURE ABSTRAITE 1918-2018 (French Edition)
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This book showcases one century of abstract sculpture (1918–2018) under the unprecedented prism of the aerial suspension. From the sculptures of Marcel Duchamp, Man Ray and Alexander Rodchenko at the end of the 1910s, to Alexander Calder or Bruno Munari at the beginning of the 1930s, following with Soto, François Morellet, Daniel Buren, Julio Le Parc in the 1950s, then Sol LeWitt or Robert Morris and more recently Xavier Veilhan, Ernesto Neto, or Haegue Yang.

If many of these suspended artworks remain static, some of them follow the concept of the “mobile”, hanging from the ceiling and given over to the invisible forces in the air. This new aesthetic is correlated to the modern eye, more dynamic, as well as to the reassessment of traditional modes of exhibiting artworks and to overhead hanging. This art form is connected to the cosmogonic imagination, to the conquest of the air, then, post-war, of space, but also to the fear of the void, to chandeliers, to hanging, climbing and falling, as well as to levitation or even floating.

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  • PublisherSKIRA PARIS
  • Publication date2018
  • ISBN 10 2370741015
  • ISBN 13 9782370741011
  • BindingHardcover
  • Number of pages224

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Poirier, Matthieu ; Godefroy, Cecile ; Mari, Pauline ; Venturi, Riccardo
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Book Description Paperback. Condition: NEUF. Un siècle de sculpture suspendue et abstraite, à travers plus de 50 oeuvres réalisées par 30 artistes de 15 nationalités différentes.Cet ouvrage présente un siècle de sculpture abstraite (1918- 2018) sous l'angle inédit de la suspension aérienne. Depuis les sculptures de Marcel Duchamp, Man Ray et Alexander Rodtchenko à la fin des années 1910, en passant par Alexander Calder ou Bruno Munari au début des années 1930, Soto, François Morellet, Daniel Buren, Julio Le Parc dans les années 1950, puis Sol LeWitt ou encore Robert Morris et plus récemment Xavier Veilhan, Ernesto Neto, ou encore Haegue Yang.Si nombre de ces oeuvres suspendues demeurent statiques, certaines d'entre elles font écho au principe du " mobile ", accrochées au plafond et livrées ainsi aux forces invisibles de l'air. Cette nouvelle esthétique est liée à un regard moderne plus dynamique, ainsi qu'à la remise en question des modalités traditionnelles de présentation des oeuvres et par un accrochage zénithal.Ce genre est lié à l'imaginaire cosmogonique, à la conquête de l'air puis, après-guerre, à celle de l'espace, mais aussi à la peur du vide, aux lustres, à la pendaison, à l'escalade, à la chute autant qu'à la lévitation ou encore au flottement. - Nombre de page(s) : 216 - Poids : 1136g - Langue : ANGLAIS - Genre : Universitaire, ouvrages de références, Essais, Livres en langue étrangère. Seller Inventory # N9782370741011

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