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Published by Daylight Community Arts Foundation, New York, NY, 2011
ISBN 10: 0983231605ISBN 13: 9780983231608
Book
Hardcover. Condition: Fine. No Jacket. Shipped from the Calico Cat Bookshop, a brick and mortar bookshop established in 1975.
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Also find Hardcover First Edition
Rústica. Condition: Bueno. Edición especial de 25 ejemplares numerados. Formato 4º. Pág 19.
Published by (Daylight Community Arts Foundation), (New York), 2011
Seller: Long Brothers Fine & Rare Books, ABAA, Seattle, WA, U.S.A.
First Edition
Hardcover. Condition: Fine. Alejandro Cartagena (illustrator). Oblong 4to. Pp. 97. Introduction by Karen Irvine, Curator of the Museum of Contemporary Photography, Chicago. Lavishly illustrated throughout with full-page color photographs by Alejandro Cartagena. Bound in grey cloth with a large color photograph by Cartagena inset on front cover, black lettering stamped on cover and spine. Clean throughout. An especially well preserved copy of this fine presentation of Cartagena's photography. Contains an interview with Cartagena by Lisa Udin, and an essay by Gerardo Montiel Klint.
Published by Daylight Community Arts Foundation, New York, 2011
Book First Edition
Hardcover. Condition: Near Fine. 1st Edition. Cloth. Oblong 4to. First edition. 97 pp. Near fine. Profusely illustrated in color with photographs by the artist. Interview with the artist.
Published by Gato Negro Ediciones, 2022
ISBN 10: 0996669752ISBN 13: 9780996669757
Seller: Majestic Books, Hounslow, United Kingdom
Book
Condition: New.
Published by Ministerio de Asuntos Exteriores, Madrid, 2005
Seller: Librería Antonio Azorín, San Lorenzo de El Escorial, M, Spain
Book
Encuadernación de tapa dura. Condition: Bien. Edición bilingüe español-árabe. Encuadernación de tapa dura. Ilustrado. Diumensiones: 23x23 - Sin paginación.
Published by Tucson, AZ: Nazraeli Press, 2015, 2017
ISBN 10: 1590054229ISBN 13: 9781590054222
Seller: ModernRare, CHICAGO, IL, U.S.A.
Book First Edition
Hardcover. Condition: As New. 1st Edition. 1st Printing. 76 pages. Published in 2015. Exhibition Catalog. One of the best introductions to the art and achievement of Latin-American photography in our time. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions, particularly the 2017 Reissued Edition. Published in a small and limited first print run (in 2015) as a hardcover original only that sold out shortly after publication. The First Edition is now scarce. A brilliant production by Chris Pichler: Oversize-volume format. Pictorial hard boards with reproduction of Luis Gonzalez Palma's multi-panelled iconography, and titles on the cover and spine, as issued. Photographs by various contributors, a Who's Who of 20th and 21st centuries Latin-American photography. Edited with Essay by Delphine Sims. Printed on pristine-white, thick coated stock paper to the highest standards. Without DJ, as issued. Published on the occasion of the landmark exhibition of the Permanent Collection of Latin-American photography owned by the Santa Barbara Museum of Art in October 2015. Presents "Looking In, Looking Out: Latin American Photography". An important addition to the rather scant literature on its all-important subject. "The documentary nature of Latin-American photography has brought clarity and artistic appreciation to the countries of the region since the camera arrived in the 19th century. The photographers of Brazil, Colombia, Cuba, Guatemala, Mexico, and other nations have captured the traditions, societal changes, urban and natural landscapes, and varied architectures of their countries. Investigates the cultures and histories of various Latin-American countries through the lens of nostalgia, propaganda, a populist aesthetic, and evolving perspectives. 'Looking In, Looking Out' presents work by twenty photographers that spans 80 years" (Publisher's blurb). An absolute "must-have" title for Manuel Alvarez Bravo, Alejandro Cartagena, Luis Gonzalez Palma, and Latin-American photography collectors. This title is a contemporary art photography classic. This is one of few copies of the 2015 First Hardcover Edition/First Printing still available online and is in especially fine condition: Clean, crisp, and bright. Please note: Precedes and should NOT be confused with the 2017 Reissued Edition. A rare copy thus. Lavishly illustrated with black-and-white and color plates. Some of the greatest photographers of our time. A fine copy. (SEE ALSO "IMAGE AND MEMORY: PHOTOGRAPHY FROM LATIN AMERICA 1866-1994" TITLE IN OUR CATALOG) ISBN 1590054229. no.
Published by Daylight Community Arts Foundation, Photolucida, CONARTE, New York, USA, 2011
ISBN 10: 0983231605ISBN 13: 9780983231608
Book First Edition
Hardcover. Condition: New. First edition. Presenta cinco series fotográficas que están encadenadas en una secuencia narrativa: "Ciudades Fragmentadas", "Ríos Perdidos", "La Otra Distancia", "Hoyos Urbanos", "Retratos Urbanos", son los títulos específicos de cada serie con los que Cartagena define su particular obra, basada en la teoría de urbanización orgánica. Textos en Español e Inglés.
Published by Portland, Photolucida
Seller: La Chambre Noire, Lausanne, VD, Switzerland
Book
Couverture rigide. Condition: Très bon. (2011), Pleine toile avec photographie contrecollée sur le premier plat, 235x285mm. 97 pages, introduction par Karen Irvine, essai par Gerardo Montiel Klint, interview par Lisa Uddin. Textes en anglais et espagnol.
Published by Jesi, Skinnerboox,, Jesi, 2020
ISBN 10: 8894895416ISBN 13: 9788894895414
Book
paperback. Condition: Perfetto (Mint). Fotografie a colori e in bianco e nero, a piena pagina, di Alejandro Cartagena. In allegato spillato con un testo di Jonathan Blaustein Design di Milo Montelli e Alejandro Cartagena - Cover type: Valentina Casali - Hotfoil Velvet Softcover . 4to (cm 34x23). pp. 112. Firma e data autografe dell'Autore (Inscribed and dated by the Author). Perfetto (Mint). . . . The last chapter of the trilogy that has followed the cultural turmoil that the US has lived in the last 4 years. The third volume continues to paint an uncertain present and future. ?Alejandro's pictures in this project, since the beginning, have channeled that fear of fire, the engulfing heat, the insatiable flames, devouring everyone and everything, leaving charred scars behind?So what now? If Alejandro can see the future? How is this book, the last in the trilogy, different and new? Well, it's confident in its bleak outlook.?L'ultimo capitolo della trilogia che ha seguito il fermento culturale che gli Stati Uniti hanno vissuto negli ultimi 4 anni. Il terzo volume continua a dipingere un presente e un futuro incerto. "Le immagini di Alejandro in questo progetto, fin dall'inizio, hanno incanalato la paura del fuoco, il calore inghiottito, le fiamme insaziabili, divorando tutto e tutti, lasciando cicatrici carbonizzate. E adesso? Alejandro può vedere il futuro? Come è diverso e nuovo questo libro, l'ultimo della trilogia?. Book.
Published by s.l., Edizione a cura dell'Artista,, s.l., 2016
ISBN 10: 099666971XISBN 13: 9780996669719
Book
paperback. Condition: Perfetto (Mint). Introduction by Ximena Peredo. Essay by Gonzalo Ortega. Photographies by Alejandro Cartagena. With signed and dated insert. Designed and edited by Alejandro Cartagena and Fernando Gallegos. Co Published by NEWWER and Alejandro Cartagena / Introduzione di Ximena Peredo. Saggio di Gonzalo Ortega. Fotografie in b/n e a colori e un inserto datato e firmato di Alejandro Cartagena. Progettato e curato da Alejandro Cartagena e Fernando Gallegos. Edizione pubblicata da Alejandro Cartagena in collaborazione con NEWWER Stiffcover book with printed slip cover, naked-sewn binding, printed insert/Libro in brossura, legatura nuda, camicia in cartone rigido con testo stampato in serigrafia. Elastico rosso per chiusura. Libro avvolto in carta che riproduce una delle fotografie del volume, tenuta ferma da adesivo. 4to (cm 30x23). pp. 144. . Perfetto (Mint). . Prima edizione di 490 esemplari (490 trade copies). . Rivers of Power di Alejandro Cartagena esplora il rapporto tra l'uomo e la natura ei futili tentativi umani di cercare di controllarla. La natura in questo caso è rappresentata dal fiume Catarina che attraversa la città messicana di Monterrey. Il suo letto fluviale vuoto e seducente sembra invitare gli imprenditori a trarre vantaggi da quegli spazi aperti e liberi. Il fotolibro racconta anche di come l'uomo dimentichi presto che il corso normale dell'acqua fluviale può scatenare l'inferno durante gli uragani proveniente dai Caraibi. Cartagena mescola fotografie storiche dei primi tentativi di controllare il corso del fiume alla sua indagine documentaria fatta di fotografie a colori. Il design del libro richiama benissimo il contenuto: il libro è flessibile e "nudo", come l'acqua del fiume, ed è racchiuso in una custodia rigida, simile alle condutture e alle tubature usate per controllare l'acqua, che con la rimozione del libro interno, paiono collassare. Prima edizione di 490 esemplari (490 trade copies). Book.
Published by The Velvet Cell, 2017
ISBN 10: 1908889535ISBN 13: 9781908889539
Seller: BOOK OF DAYS, Osaka City, OSAKA, Japan
Book
Hardcover. Condition: New.
Published by Eusko Jaurlaritza 2, 1900
ISBN 10: 8445731823ISBN 13: 9788445731826
Seller: Ammareal, Morangis, France
Book
Softcover. Condition: Bon. Petite(s) trace(s) de pliure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slightly creased cover. Ammareal gives back up to 15% of this item's net price to charity organizations.
hardcover. Condition: Ottimo (Fine). 5 booklets, 1 poster, 1 postcard, in a portfolio / Busta con all'interno 5 libretti, 1 poster, 1 cartolina, tutto stampato in risograph, stampa offset e laser. Testi in inglese e spagnolo di César Valdez. A cura di Fernando Gallegos Design concept di Alejandro Cartagena e Fernando Gallegos. Design editoriale di Roberto Salazar. Busta di cartone esterna ancora sigillata / Softcovers, saddle-stitched. Risograph, offset and laser printing. Editorial design by Roberto Salazar . 4to (30x23 cm). pp. 102. . Ottimo (Fine). . Prima edizione di 190 copie numerate e firmate (Limited edition of 190 numbered and signed copies). . "In 2008 the war against the drug cartels erupted in Mexico. The state of Nuevo Leon in northeastern Mexico became an increasingly violent place. This book is a compilation of images and texts that obsessively revisit places where the war was eventually fought and look for signs of an evil that lay underneath but was invisible to everyone´s eyes at the moment these images were shot.?Selected as one of the best books of 2015 Kassel Photobook Festival. Shortlisted for Photobook Award at the 2015 "Rencontres d'Arles" Festival."Nel 2008 è scoppiata in Messico la guerra contro i cartelli della droga. Lo stato di Nuevo Leon, nel nord-est del Messico, è diventato un luogo sempre più violento. Questo libro è una raccolta di immagini e testi che rivisitano ossessivamente i luoghi dove la guerra è stata combattuta e cercano i segni di un male che era invisibile agli occhi di tutti nel momento in cui queste immagini sono state scattate." Prima edizione di 190 copie numerate e firmate (Limited edition of 190 numbered and signed copies). Book.
Published by Alejandro Cartagena, Mexico City, 2014
ISBN 10: 0692226605ISBN 13: 9780692226605
Book First Edition Signed
Hardcover. Condition: Fine. Dust Jacket Condition: Fine. First Edition, First Printing. Quarto. 9.25 x 14 in. Unpaginated. Profusely illustrated with color reproductions of photographs. Fine in original cloth-bound pictorial cardboard and fine cloth boards. With laid-in fold-out poster and "please carpool" sticker and includes the signed print that is number 5 of 40. Signed on title page as well.