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Published by Lukas & Sternberg, 2000
ISBN 10: 0967180201ISBN 13: 9780967180205
Seller: Ezekial Books, LLC, Manchester, NH, U.S.A.
Book
Condition: VeryGood. Condition: VERY GOOD. (Book may have one or a combination of the following characteristics: former library book, cover wear, name written inside cover, light underlining/highlighting, remainder mark, etc. Overall, the book is in solid shape. This is a bla.
Published by Lukas & Sternberg, 2000
ISBN 10: 0967180201ISBN 13: 9780967180205
Seller: Midtown Scholar Bookstore, Harrisburg, PA, U.S.A.
Book
Paperback. Condition: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.
Published by New York / Berlin: Lukas & Sternberg, 2000, 1. Aufl., 206 pages, m. Abb. / illustr., 17 x 11 cm, Broschur-Tb. / Softcover. (No. 002) (9780967180205), 2000
ISBN 10: 0967180201ISBN 13: 9780967180205
Seller: BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Germany
Book
Broschur-Tb. / Softcover. 1. Aufl. (No. 002). Exhibition: Frankfurter Kunstverein, 1999. - // Dutch artists Jeroen de Rijke and Willem de Rooij received international recognition for their seemingly luxurious and self-reflexive 35mm films. This first comprehensive monograph discusses how Dutch painting, Minimal Art, and film conventions become the backdrop for a cinema in its decontextualized form. In her seminal essay, author Vanessa Joan Müller discusses how in de Rijke/de Rooij s work the classic time-space continuum in which space is crossed and time flows is nearly transformed to movement in standstill. To use Gilles Deleuze s substantial cinematographic classification, the artists films can be said to deliver not images of movement , but instead moving images that separate the visible from things, and movement from history, favoring time as a category of aesthetic experience. . / Sprache : Deutsch, Englisch. (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Deutsch Gewicht in Gramm: 500.