NEW YORK TIMES BESTSELLER • Amy Tan’s modern classic that examines the sometimes painful, often tender, and always deep connection between mothers and daughters
“For me, [The Joy Luck Club] was one of those once-in-a-lifetime reading experiences that you cherish forever. It inspired me as a writer and still remains hugely inspirational.”—Kevin Kwan, author of Crazy Rich Asians
“Brilliant.”—The Washington Post Book World
“A jewel of a book.”—The New York Times Book Review
“Amy Tan [is] a writer of dazzling talent.”—Chicago Tribune
In 1949, four Chinese women, recent immigrants to San Francisco, begin meeting to play mah jong, remember the past, and gossip into the night. United in unspeakable loss and new hope, they call themselves the Joy Luck Club.
With wit and sensitivity, Amy Tan examines the memories that display these women’s strength, worries, and determination. As each woman reveals her secrets, trying to unravel the truth about her life, the strings become more tangled, more entwined. Mothers boast or despair over daughters, and daughters roll their eyes even as they feel the inextricable tightening of the matriarchal ties that they believe have stymied their ability to face the uncertainties of the future.
Intimate and moving, The Joy Luck Club shows us how the inheritance of pain and unspoken secrets can lead to misunderstanding—and yet how love can still offer the promise of reconciliation.
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Amy Tan is the author of several novels, including The Joy Luck Club, The Backyard Bird Chronicles, and The Bonesetter's Daughter. She is a co-producer and co-screenwriter of the film version of The Joy Luck Club and is on the board of American Bird Conservancy. She lives in Sausalito, California.
In 1949 four Chinese women-drawn together by the shadow of their past-begin meeting in San Francisco to play mah jong, invest in stocks, eat dim sum, and 'say' stories. They call their gathering the Joy Luck Club.
Intensely poetic, startlingly imaginative and moving, this remarkable book will speak to many women, mothers and grown daughters, about the persistent tensions and powerful bonds between generations and cultures. The narrative voice moves among seven characters. Jing-mei "June" Woo recounts her first session in a San Francisco mah-jong club founded by her recently dead, spiritually vital, mother. The three remaining club members and their daughters alternate with stories of their lives, tales that are stunning, funny and heartbreaking. The mothers, all born in China, tell about grueling hardship and misery, the tyranny of family pride and the fear of losing face. The daughters try to reconcile their personalities, shaped by American standards, with seemingly irrational maternal expectations. "My mother and I never understood each other; we translated each other's meanings. I talked to her in English, she answered back in Chinese," says one character. A crippling generation gap is the result: the mothers, superstitious, full of dread, always fearing bad luck, raise their daughters with hope that their lives will be better, but they also mourn the loss of a heritage their daughters cannot comprehend. Deceptively simple, yet inherently dramatic, each chapter can stand alone; yet personalities unfold and details build to deepen the impact and meaning of the whole. Thus, when infants abandoned in China in the first chapter turn up as adults in the last, their reunion with the one remaining family member is a poignant reminder of what is possible and what is not. On the order of Maxine Hong Kingston's work, but more accessible, its Oriental orientation an irresistible magnet, Tan's first novel is a major achievement. First serial to Atlantic, Ladies' Home Journal and San Francisco Focus; BOMC and QPBC featured alternates.
Copyright 1988 Reed Business Information, Inc.
What a wonderful book! The "joy luck club" is a mah jong/storytelling support group formed by four Chinese women in San Francisco in 1949. Years later, when member Suyuan Woo dies, her daughter June (Jing-mei) is asked to take her place at the mah jong table. With chapters alternating between the mothers and the daughters of the group, we hear stories of the old times and the new; as parents struggle to adjust to America, their American children must struggle with the confusion of having immigrant parents. Reminiscent of Maxine Hong Kingston's The Woman Warrior in its vivid depiction of Chinese-American women, this novel is full of complicated, endearingly human characters and first-rate story telling in the oral tradition. It should be a hit in any fiction collection.
- Ann H. Fisher, Radford P.L., Va.
Copyright 1989 Reed Business Information, Inc.
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