When Pico Iyer began his travels, he wanted to know how Rambo conquered Asia. Why did Dire Straits blast out over Hiroshima, Bruce Springsteen over Bali and Madonna over all? If he was eager to learn where East meets West, how pop-culture and imperialism penetrated through the world's most ancient civilizations, then the truths he began to uncover were more startling, more subtle, more complex than he ever anticipated. Who was hustling whom? When did this pursuit of illusions and vested interests, with its curious mixture of innocence and calculation, turn from confrontation into mating dance? Iyer travelled to Bali where, despite its notoriously spoiling tourism, he realized that Paradise might not be lost after all. China, trumpeting its first case of AIDS, was throwing open doors of trade with breathless courtesy. The ragged population of the Philippines at the end of the Marcos era sang along to "We are the World" in sight of US military installations. Burma, in its efforts to lock out the modern world, had locked in the Raj, and in Hong Kong a crowded new multinational empire of industrial Yuppies was poised to rule the future. In the land where movies and politics respond to the same need for mythical figures, the movie star had become a god and Rajiv Gandhi a celluloid hero. The Japanese were in the midst of a baseball craze, but only in order to demonstrate that, as with Western technology, the game can be played more efficiently in the land of the Rising Yen. Iyer introduces a wide variety of individuals and the reader discovers the seductions and ironies of today's Asian culture - and of our own.
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Only in India would the American film Rambo be remade with the title role played by a woman--in a sari, no less! Only in Hong Kong would a man at a cocktail party pick up a woman with the line "What do you think of the dollar?" And only in Video Night in Kathmandu will you find detailed, unsettling portraits of a Far East in flux as experienced by Pico Iyer, a travel writer beyond compare. Tibet, China, India, and Thailand--these are among the objects of Iyer's wanderlust, the subjects of 11 essays chronicling his travels. In India, he explores the lucrative Bombay film business: "The process of turning an American movie into an Indian one was not very difficult ... but it did require a few changes.... the Indian hero had to be domesticated, supplied with a father, a mother, and a clutch of family complications." As one film director told him, " ... for example, Rambo must be given a sister who was raped." In Bangkok he finds the sex trade is well nigh impossible to avoid: " ... by the time a third official government tout approached me with the novel invitation: 'My friend. You no like birdwatching?' I was inclined to suspect that ornithology was not among his interests."
Pico Iyer is more than just a travel writer. For four years, he wrote about world affairs for Time, and he brings to these brilliant, comical, and poignant essays his extensive knowledge of politics and culture as well as a journalist's eye for the telling details. Video Night in Kathmandu provides both a stark, unsettling view of modern Asia and an exploration of the ambivalent attitudes Asians hold toward the West.
11 1.5-hour cassettes
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