The guns, the girls, the gadgets, all the key ingredients of Bond-James Bond-are captured in this one-of-a-kind collection of movie posters. Gathered from the archives of Eon Productions and published to coincide with the 40th anniversary of Bond movies and the release of the newest James Bond movie, James Bond Movie Posters depicts in hot type and bold color four decades of our favorite spy in action. Film-goers first encountered the trademark gun barrel logo on the poster for Dr. No, produced in 1962 to promote the first official Bond movie. Then followed the famous image of Bond with a gun across his chest on the poster for From Russia with Love, Goldfingers startling golden girl, and the inimitable Pussy Galore. These images have become some of the most memorable visual teasers in cinematic history and are now one of the hottest items of memorabilia among both Bond aficionados and movie collectors. This collection features over 200 original posters, including posters that were never released, limited edition festival posters, and rare advance posters. They are all meticulously reproduced in this oversized, full-color paperback. "James Bond is back in action! Everything he touches turns to excitement!"
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Tony Nourmand is the co-proprietor of the Reel Poster Gallery in London, the leading international film poster gallery, and is a top authority on the subject. In addition, he is the film poster consultant for Christie's and travels throughout the world in search of rare and desirable posters.
On October 5, 1962, a god was born, for that day marked the release of Dr. No starring Sean Connery as super-cool British secret agent James Bond. To commemorate the film's 40th anniversary, Nourmand, co-proprietor of London's Reel Poster Gallery and a film poster consultant for Christie's, has collected the Bond series movie posters (more than 200), including lobby one-sheets, teaser posters for forthcoming releases, and some foreign versions dating from Dr. No to 1999's The World Is Not Enough. Each poster includes a caption detailing its background, a film plot synopsis, and special production notes (if any). There are also additional goodies such as festival posters, a spread of special artwork appearing in Esquire in the 1960s, and profiles of each artist. The style of these posters has changed over time, with the golden Connery and anemic Roger Moore years mostly utilizing paintings, while the short-lived Timothy Dalton era and current Pierce Brosnan ads are photo montages, although almost all feature Bond brandishing a pistol with some shapely babe in the background. Bond fans will love this book. Recommended. Michael Rogers, "Library Journal"
Copyright 2002 Reed Business Information, Inc.
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