[1] pp.; 63 x 96.5 cm.; color; edition size unknown; unsigned and unnumbered; offset-printed Poster produced by the Artists' Poster Committee of Art Workers Coalition [Frazier Dougherty, Jon Hendricks, Irving Petlin] protesting the American war in Viet Nam -- featuring the 1969 photograph of the My Lai massacre by R.L. Haeberle. Originally conceived by an offshoot group of the Art Workers Collation [AWC], the poster was intended as a collaboration between the AWC and The Museum of Modern Art [MoMA]. However, after MoMA withdrew its association with this publication, the Artists Poster Committee went ahead and published it with out the Museum's involvement. The paper for the project was donated by Peter Brant, who's name is printed on poster along with members of the Artists' Poster Committee of Art Workers Coalition. Brant is occasionally credited with designing the poster, however, this is erroneous. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 62. No. 6 in "Art Metropole : The Top 100" by Kitty Scott, Jonathan Shaughnessy, Peggy Gale, AA Bronson. Ottawa, Canada : National Gallery of Canada, 2006, pp. 54. Fine. As issued, original printing, full uncut sheet. Seller Inventory # 23265

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Bibliographic Details

Title: Q. And Babies? A. And Babies.

Publisher: [New York], [NY] 1969 or 1970

Publication Date: 1969

Store Description

Specific Object is a gallery, bookstore and think-tank dedicated to art post 1958 ? specifically pop, Fluxus, minimal and conceptual ? with an interest in the art that informed the 1960s and 1970s, as well artists whose works organically followed from the era. Specific Object is always interested in purchasing artwork as well as used books, ephemera and other objects of interest. Specific Object works to isolate distinct works of value ? historically, monetarily and / or intellectually valuable ? and show them in isolated contexts allowing these works, or objects, their own place, space and time. The material Specific Object presented ranged from artists? publications, ephemera, prints, multiples and other editions to literature, music / audio works and unique artworks of the contemporary world. In November 2004 Specific Object acquired the inventory of Barbara Moore?s bookstore Bound & Unbound. Through her bookshops Bound & Unbound and its predecessor Backworks, founded in 1976, Moore has been a seminal and innovative champion of artists working in alternative mediums. From 1998 through 2004 David Platzker was the Executive Director of the non-profit institution Printed Matter, Inc. He is also the co-author, and co-curator - with Elizabeth Wyckoff - of "Hard Pressed: 600 Years of Prints and Process" (International Print Center New York & Hudson Hills Press, 2000); and - with Richard H. Axsom - the book and exhibition entitled "Printed Stuff: Prints, Posters, and Ephemera by Claes Oldenburg : A Catalogue Raisonn� 1958-1996" (Madison Art Center & Hudson Hills Press, 1997), which was awarded the George Wittenborn Award for Best Art Publication of 1997 by the Art Libraries Society of North America. He has curated exhibitions of the works of Art & Project, John Baldessari, Marcel Broodthaers, Documenta 5, Conceptual Art, Marcel Duchamp, Donald Judd, John McLaughlin, Bruce Nauman, Oldenburg, Raymond Pettibon, Dieter Roth, and Edward Ruscha in addition to commissioning or curating exhibitions at Printed Matter of Angelblood, Larry Clark, Erin Cosgrove, Meg Cranston, General Idea, Jenny Holzer, Reverend Jen, Allan Kaprow, Yoko Ono, Ryan McGinness, Sonic Youth, Tom Sachs, David Tremlett, Richard Tuttle and the Guerrilla Girls. Platzker was also the host of WPS1.org's Recorded Matter on-line radio program. Archived programs can be found at www.artonair.org. His writings have been included in Claude Closky: Hello And Welcome, I Love John Giorno, Jonathan Monk: In Relief (My Collection of Sol LeWitt Books - Exact Size, Shape and Occasionally Colour), 2015. From 2013 through 2018 Platzker was Curator of Drawings and Prints at The Museum of Modern Art, New York, where he curated the exhibitions "There Will Never Be Silence: Scoring John Cage?s 4'33"" with Jon Hendricks; "Sites of Reason: A Selection of Recent Acquisitions" with Erica Papernik; "Gilbert & George: The Early Years; and Adrian Piper: A Synthesis of Intuitions, 1965?2016" with Connie Butler and Christophe Cherix. He authored essays for the catalogues "Yoko Ono: One Woman Show, 1960-1971," "Louise Lawler : Receptions," "Being Modern: Building the Collection of The Museum of Modern Art," and the critical theory volume "Art and Theory of Post-1989 Central and Eastern Europe: A Critical Anthology" (MoMA Primary Documents). His additional MoMA publications include the vinyl LPs "There Will Never Be Silence," "The Thoughts of Gilbert & George," and "Antonio Dias: The Space Between" as well as the artists' books "Yoko Ono: Grapefruit" and "The Conquest of Space: Atlas for the Use of Artists and the Military" by Marcel Broodthaers. Recent writings also include "A Love Supreme: Charles Gaines and Trees," in "Charles Gaines : Palm Trees and Other Works" (Hauser & Wirth) and "John Baldessari Gets Booked" in "John Baldessari Catalogue Raisonn�, Volume Six: 2011 ? 2019" (Marian Goodman / Yale Univ. Press). Visit www.specificobject.com for our complete inventory.

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Specific Objective Inc
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