9780393324778 - Christian Schad and the Neue Sachlichkeit (20 results)

hardcover. Condition: As New. First Edition. LIKE NEW/UNREAD!!! Text is Clean and Unmarked! Has a small black line or red dot on the bottom/exterior edge of pages.

Hardcover. Condition: Very Good. Dust Jacket Condition: Good +. Cover has some light rubbing and light corner wear, but otherwise overall looks largely clean and presentable. Pages starting to separate from spine a bit but overall binding is still solid, textblock has a few small light smudges. Pages are clean and crisp. Dust jacket has modest rubbing, light edge wear, and a small closed tear on front cover, but otherwise overall still looks bright and attractive, now protected in a mylar slip. Overall in very good condition.

Condition: Very Good. Book is in Used-VeryGood condition. Pages and cover are clean and intact. Used items may not include supplementary materials such as CDs or access codes. May show signs of minor shelf wear and contain very limited notes and highlighting. 3.15.

Condition: Fine. Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 3.15.

Hardcover. Condition: Good. The first collection in English to give a full accounting of Schad's peculiar genius. The 1920s German art movement "New Objectivity" (Neue Sachlichkeit) created a stark and indelible portrait of German society. Along with Max Beckmann, Otto Dix, and George Grosz, artist Christian Schad is central to any appreciation of this fascinating period in both art and history.Schad is a contradictory character. For all his icy-cool realism, Schad's mesmerizing paintings are characterized by an intense engagement with his models. While he is best known as a realist, he is also credited by the Dadaists as the inventor of abstract photograms, or "Schadographs."Published in conjunction with an exhbition at the Neue Galerie in New York, Christian Schad and the Neue Sachlichkeit includes over 140 full-color reproductions of Schad's paintings, drawings, woodcuts and "Schadographs." 5.713.

Condition: Fair. Acceptable/Fair condition. Book is worn, but the pages are complete, and the text is legible. Has wear to binding and pages, may be ex-library. 3.15.

Condition: Good. Buy with confidence! Book is in good condition with minor wear to the pages, binding, and minor marks within 3.15.

Hardcover. Condition: As New. Hardcover with dust jacket. Pages are clean and unmarked. Dust jacket and cover shows light edge wear, rubbing to corners. Binding is tight, hinges strong.; 100% Satisfaction Guaranteed! Ships same or next business day!.

Hardcover. Condition: very good. Purchase pre-owned books for prompt service and customer satisfaction.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. 2003 Hardcover 259pp. Interior clean; binding tight. Boards clean. Dust jacket VG. Protected in mylar sleeve. This catalogue has been published in conjunction with the exhibition Neue Galerie New York.

Hardcover. Condition: Used - Very Good. The 1920s German art movement 'New Objectivity' (Neue Sachlichkeit) created a stark and indelible portrait of German society. Along with Max Beckmann, Otto Dix, and George Grosz, artist Christian Schad is central to any appreciation of this fascinating period in both art and history.Schad is a contradictory character. For all his icy-cool realism, Schad's mesmerizing paintings are characterized by an intense engagement with his models. While he is best known as a realist, he is also credited by the Dadaists as the inventor of abstract photograms, or 'Schadographs.'Published in conjunction with an exhbition at the Neue Galerie in New York, Christian Schad and the Neue Sachlichkeit includes over 140 full-color reproductions of Schad's paintings, drawings, woodcuts and 'Schadographs.' The first collection in English to give a full accounting of Schad's peculiar genius. Very nice clean, tight copy free of any marks. wrapped in complimentary Brodart dust jacket protector.

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. A nice, bright copy. ; b&w and color Plates; 11.3 X 9.9 X 1.1 inches; 260 pages.

Condition: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Hardcover. Condition: As New. Dust Jacket Condition: Near Fine. Edited by Jill Loyd and Michael Peppiatt. 260 pages, 140 color illustrations, biog., bibliog., quarto (4to), hardcover black boards with gold text on spine, dust jacket. Book itself is in very good condition, a tear in the dust jacket about 1 inch long top left. Inventory #32081-1.

29 cm 259 S. Opp. Ou 4°. tadelloses Exemplar.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. Cloth, 259 pages, illustrations (some colour); 30 cm. Published in conjunction with an exhibition at the Neue Galerie New York, March 14 to June 9, 2003. Firm binding, clean inside copy. Dust jacket protected in a mylar book cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "The first collection in English to give a full accounting of Schad's peculiar genius. The 1920s German art movement 'New Objectivity' (Neue Sachlichkeit) created a stark and indelible portrait of German society. Along with Max Beckmann, Otto Dix, and George Grosz, artist Christian Schad is central to any appreciation of this fascinating period in both art and history. Schad is a contradictory character. For all his icy-cool realism, Schad's mesmerizing paintings are characterized by an intense engagement with his models. While he is best known as a realist, he is also credited by the Dadaists as the inventor of abstract photograms, or 'Schadographs.' Published in conjunction with an exhbition at the Neue Galerie in New York, Christian Schad and the Neue Sachlichkeit includes over 140 full-color reproductions of Schad's paintings, drawings, woodcuts and 'Schadographs.'" - Publisher. Size: 4to.

Hardcover. Quarto 258pp including index. Illustrated. Christian Schad (1894-1982) was a leading figure of the Neue Sachlichkeit (New Objectivity)movement of the 1920s.

259 S. Mit zahlr. teils farb. Abb. und Frontispiz (photograp. Abb. Schads) 4°, Orig.-Pappbd. mit -Schutzumschlag. In engl. Sprache. - Mit Beiträgen u.a. v. Matthias Eberle u. Ingrid Jenderko-Sichelschmidt. - Schutzumschlag mit minimalen Randläsuren, Ecken leicht bestoßen, innen gut erhalten. 2000 gr.

Hardcover. Condition: Wie neu. Dust Jacket Condition: Neu. 1. Auflage. Mit prächtigem Tafelteil der 120 zum überwiegenden Teil farbigen Abbildungen der Gemälde und Druckgraphiken . Zusätzlich 122 s/w-Abbildungen im Textteil . - - - CHRISTIAN SCHAD's exakte Porträts voll hintergründiger Erotik sind Inbegriff des dekadenten Zaubers der Weimarer Republik . Dieser Band verfolgt die gesamte Karriere dieses führenden wie faszinierenden Künstlers und platziert ihn im Kontext anderer wichtiger Künstler der Neuen Sachlichkeit wie Max Beckmann, Otto Dix und George Grosz . - - - Gebunden, 25x 29 cm, Schutzumschlag. 260 Seiten, Text in englischer Sprache. NEUES , ORIGINALVERSCHLOSSENES VERLAGSEXEMPLAR . SORGFÄLTIGE VERPACKUNG GARANTIERT .

Lloyd, Jill and Michael Peppiatt (editors). CHRISTIAN SCHAD and the Neue Sachlichkeit. 260 pp., hundreds of color and b&w illustrations. 4to, cloth. New York and London, W.W. Norton & Company in association with New York, Neue Galerie, 2003.