Mahesh Shantaram Matrimania (7 results)

hardcover. Condition: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condition: Fine. Like New condition. Great condition, but not exactly fully crisp. The book may have been opened and read, but there are no defects to the book, jacket or pages. 1.79.

Hardcover. Condition: Wie neu.

Hardcover. Condition: Fine. 4to, hardcover, 112 pages. In fine condition, unread.

Gebunden. Condition: Gebraucht. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -All that is great about a country and all that is wrong with it can be summarised by a single wedding, says Indian photographer Mahesh Shantaram (\*1977) and member of Agence VU'. In his documentary work, he mostly studies the complex societal system of his home country. Working as a wedding photographer, he had privileged access to a cross-section of celebrations of the Indian upper- and middle-class society. Young adults assume the role of princes and princesses in a Bollywood-like fantasy often choreographed by their parents. On the periphery, a multitude of workers entertain crowds, cater to thousands of guests, and keep the show going on for days. Using images culled from over 150 weddings and created in the course of six years, the photo series Matrimania constructs a fictional narrative-an alternative wedding album-that depicts one long wedding night in India. Matrimania is a personal take on 21st century India's contradictions seen through the prism of its wedding culture. 112 pp. Englisch.

Condition: Sehr gut. 112 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 807.

Buch. Condition: Neu. Neuware - All that is great about a country and all that is wrong with it can be summarised by a single wedding, says Indian photographer Mahesh Shantaram (\*1977) and member of Agence VU'. In his documentary work, he mostly studies the complex societal system of his home country. Working as a wedding photographer, he had privileged access to a cross-section of celebrations of the Indian upper- and middle-class society. Young adults assume the role of princes and princesses in a Bollywood-like fantasy often choreographed by their parents. On the periphery, a multitude of workers entertain crowds, cater to thousands of guests, and keep the show going on for days. Using images culled from over 150 weddings and created in the course of six years, the photo series Matrimania constructs a fictional narrative-an alternative wedding album-that depicts one long wedding night in India. Matrimania is a personal take on 21st century India's contradictions seen through the prism of its wedding culture.