Marc Chagall, Signed (54 results)

Hardcover. Condition: Very Good. 1st Edition. Louis Aragon, Marc Chagall Illustrator. Published by Maeght Editeurs, 1976, Paris. Twenty five poems by Aragon accompanied by twenty five etchings with aquatint in color by Marc Chagall. Complete portfolio of poems and prints, enriched on the title page with an important colored pencil drawing by Chagall. Loose as issued, guarded in the original arches wrappers and light blue cloth clamshell box. This copy is one of 180 copies out of a total edition of 205 copies, guarded, printed in BFK Rives wove paper, watermark ME (Maeght Editeur). "Celui qui dit les choses sans rien dire", translates to "He who says things without saying anything, is a captivating blend of poetry and visual art." The synergy between Aragon's surreal verses and Chagall's luminous gravures, creates a symphony of emotions that transcends boundaries. Complete and in very good condition, light blue clamshell box with faded spine and lightly worn. Ref Cramer. 99. Signed by Illustrator(s).

Couverture rigide. Condition: Comme neuf. Dust Jacket Condition: Comme neuf. Marc CHAGALL (illustrator). Edition originale. - PRESENTATION : In-2 in leaves in grey linen case. - ILLUSTRATED : with one color handsigned and numbered in pencil original lithograph by CHAGALL & 6 original lithographs (2 in color, 1 in B& W, 3 in grey) & 2 original woodcuts and also 35 lithographs after CHAGALL engraved by Sorlier. - PRINTER : Atelier Mourlot. - LIMITED : 270 copies. - SIZE : 14 x 19". - REFERENCES : for the lithographs Mourlot 415, 415a, 899-902, for the woodcuts Kornfeld 119 & 123, the portfolio Cramer 101. - CONDITION : Excellent. ASK FOR EXTRA PICTURES. Signé par l'illustrateur.

Soft cover. Condition: Very Good. Limited Edition. NRF Librairie Gallimard. Paris, 1927. Marc Chagall, Paul Morand. One of 120 numbered copies on Hollande Pannekoek, with an etching on frontispiece by Marc Chagall on China paper, signed by Chagall in pencil, and numbered (20/120). Total Edition 325. Ouvert la nuit is a collection of eight short stories, written by Paul Morand at the beginning of 1920. Each story recounts the narrator's relationship with a woman, each time in a different country. Morand evokes the atmosphere of a Europe shocked by World War I, that tries to recover from the tragedies of war and move forward to a normal life. Ref: Cramer #9. Signed by Illustrator(s).

No Binding. Condition: Fine. In typical Chagall exuberance, an accordion player floats above a spirited world of winged creatures and festivities. This lithograph is signed in graphite lower right: "Marc Chagall" and editioned: "23/90". The image is approximately 10" x 15 3/4" and is printed on a 15" x 20" sheet of heavy wove Arches paper. Matted and framed to: 23 1/2" x 28 1/2". Condition: Fine condition. **Please contact us for accurate shipping quote**. Signed by Illustrator(s).

Full Leather. Condition: Fine - As New. Limited Numbered First Deluxe Edition. A very scarce magnificent book in fine, like new condition in a fine custom clamshell case with the scarce shipping carton, SIGNED by five of the world's greatest artists: Marc Chagall (1887-1985), Georgia O'Keeffe (1887-1986), Joan Miro (1893-1983), Ivan Albright (1897-1983) and W. de Kooning (1904-1997) on the occasion of the 100th birthday of the Art Institute of Chicago in 1979. The signatures are original and are each on a separate page. In addition, the great Marc Chagall signed and dated his signature, "Pour Art Inst. Chicago, Marc Chagall, 1979." First printing deluxe edition (so stated), copy # 60 of 100 total copies issued as one of four major events celebrating the Art Institute's 100th birthday, according to David C. Hilliard, Life Trustee of the Art Institute of Chicago who headed the project. According to Mr. Hilliard, the deluxe books were sold, in good part, to buy an Indian sculpture in honor of Board Chairman James Alsdorf and his wife Marilyn. Per Hilliard: "There is a good story connected with the book. We sent a young man down to visit Georgia O'Keefe and ask for her agreement to participate. Georgia could be prickly, so we chose as our envoy a young man whose father had given her the land on which she had her house and studio. And indeed he was given a warm reception and tour. When they parted, Georgia said she would sign. but then added "If you will tell me the location of my painting that I gave to the Art Institute, 'East River from the Shelton.'" We were overjoyed and asked the American Arts Department to let us see it. As Georgia knew, it had presumably been stolen years before, and a full search could not locate it. But she relented (I think she enjoyed her joke) and signed the books anyway!" Printed and bound by RR Donnelley & Sons' Lakeside Press. Bound in very fine dark red Morocco leather with beautiful gold gilt on the page edges. In beautiful very fine condition. THE BOOK: The book measures 10.5" x 14." In addition to the valuable signature pages, this large book contains beautiful color reproductions of 100 of the most magnificent art treasures that the Art Institute of Chicago holds in trust, including paintings by the artists who signed the book. Enclosed in a heavy wood clamshell box covered by matching red leather with a large gold gilt lion on the front lid. The art world has now lost all of these great artists but in this book their signatures and their paintings live on. A very special and collectable book. Weighs over 10 lb.

Encuadernación de tapa dura. Condition: Nuevo. Dust Jacket Condition: Nuevo. MARC CHAGALL CLOWN FLAUTISTA Autor: Marc Chagall (1887-1985) Tipo de obra: Cuadro escultura Tamaño de obra: 30 x 25 cm. Tamaño de cuadro: 64 x 59 cm. 4,500.00 Pieza 17 de 499 Plata 1000/1000 Oro 1000/1000 Con certificado Restauración única (artesanía pura). Firmado por el autor.

Near Fine, single page from watermarked Hotel Belles-Rives paper, typed and boldly signed by Marc Chagall. Toning to bottom edge of paper, minimal wear, very well-preserved. One corrected typed character, covered with white-out. An unusual and emotive artist statement/poem, by Chagall, based on his work "The Apparition (1917-1918)," describing in beautiful imagery a "dream" "evoked" in Chagall. Chagall had reported that the painting was based his memory of a dream while a student; this statement either stands in captivating juxtaposition with that original dream, or is an allusion to, or perhaps description of, that dream. Lovely, rare, unique. Certificate of Authenticity included. [Image in listing of painting for illustrative purposes only; no prints, etc., included].

Hardcover. Condition: Very Good. 1st Edition, Illustrated Edition. New York: Book League of the Jewish Peoples Fraternal Order, 1945. First edition, demy 8vo (8.5 in x 5.5 in), pp. (1-6), 7-252, (4), 14 full page illustrations, title page illustration, headpiece illustrations throughout and final tailpiece illustration after drawings by Marc Chagall. Not recent rebinding in black buckram with the original gilt printed upper side and the original gilt lettered cloth spine laid down. Very good clean copy. Sheets clean, unmarked, complete. H9982 All Items Are Sent Insured. Insurance charges are included in the Shipping & Handling Charges. International buyers please be aware that we are not responsible for and do not include or estimate customs duties, fees or taxes in any way in our listings. We ship all orders within 5 days of cleared payment. We do not create and are not responsible for shipping times or delays associated with customs and international shipping. All Items Are Sent Insured. Insurance charges are included in the Shipping & Handling Charges. Signed by Illustrator(s).

Chemise et étui. Condition: Très bon. CHAGALL (illustrator). Petit in 4 en feuilles sous chemise et étui d'éditeur. 5 eaux-fortes originales de Marc Chagall. Tirage, limité à 190 exemplaires, celui-ci un des XV réservés aux collaborateurs signés par Marc Chagall et Jerzy Ficowski. Très bel exemplaire. (Cramer 76). Signé par l'illustrateur.

No Binding. Condition: Fine. This whimsical image features an oversize rooster and a potted plant, with an unclothed couple looking on through a window. It is editioned and signed in graphite "22/90" and "Marc Chagall" at the lower margin. The 9 3/4" x 15" image is printed on a 14 1/2" x 19" sheet of heavy wove paper blindstamped "Arches France". In a linen mat and framed to: 24 3/4" x 28 3/4". Condition:  Fine condition. **Please contact us for an accurate shipping quote**. Signed by Illustrator(s).

Eines von 150 numerierten Exemplaren der Vorzugsausgabe mit einer farbigen Orig.-Radierung "Liebespaar mit Pferd" (Kornfeld 118). Das Impressum von Marc Chagall signiert. Das Werkverzeichnis der Kupferstiche, Radierungen u. Holzschnitte von 1922-1966. 2 weitere Bände werden die Radierungen zur Illustration der 3 großen Bücher "Gogol, Les Ames mortes, La Fontaine, Les Fables u. Bible", sowie Radierungen u. Kupferstiche nach 1966 enthalten, sind aber noch nicht erschienen. - Freitag 1572.

Hardcover. Condition: Fair. 1st Edition. Boards (HB) in fair condition missing spine piece and separated from covers. First edition, Signed by Chagall on first blank page. 8vo (8.5 in x 5.5 in), pp. (1-6), 7-252, (4), 14 full page illustrations, title page illustration, headpiece illustrations throughout and final tail piece illustration after drawings by Marc Chagall. Signed by Artist.

No Binding. Condition: As New. Marc Chagall (illustrator). This lithograph with the work: " Lovers " by Marc Chagall comes from the book André Warnod, Les peintres mes Amis. A beautiful posthumous tribute to Warnod by his wife, daughter and the artistic community. Printed on Grand vélin d'Arches. Edition no. 220 of 250 pieces. Numbered on the back of the book. Signed in the stone. The lithograph is in good condition. Size: 38 x 27.5 cm / 14.96 x 10.82 Inches. Signed by Illustrator(s).

Hardcover. Condition: Fine. Dust Jacket Condition: Near Fine. 1st Edition, Illustrated Edition. First edition signed by Marc Chagall on the half title, royal 4to (12½" x 9½"), pp. 249, (1) blank, (1) colophon, (1) blank, original color lithograph frontispiece, illustrations throughout. Original black lettered gray buckram in original color pictorial dust jacket. Fine clean bright copy in near fine dust jacket. Sheets clean, unmarked, complete. Printed bookplate on front free endpaper. H9985 All Items Are Sent Insured. Insurance charges are included in the Shipping & Handling Charges. International buyers please be aware that we are not responsible for and do not include or estimate customs duties, fees or taxes in any way in our listings. We ship all orders within 5 days of cleared payment. We do not create and are not responsible for shipping times or delays associated with customs and international shipping. All Items Are Sent Insured. Insurance charges are included in the Shipping & Handling Charges. Signed by Illustrator(s).

Hardcover. Condition: Near Fine. Dust Jacket Condition: Near Fine. Profusely illustrated (illustrator). 1st. Signed by Marc Chagall, with and original Lithograph created especially for this edition. Dust jacket price clipped. Tudor Publishing Co. Special issue of XXe Siecle. In a unique combination of surrealism, expressive color, fragments of memory, a dream imagination, and a love of the decorative and theatrical, Marc Cbagall has created a rich, complex, lyrical world of surpassing beauty. Here, in scores of reproductions, many in full color, is a far-ranging exploration by major critics of his more than sixty years of creative work. Among the contents are: Mircea Eliade: Chagall and the Love of the Cosmos Camille Bourniquel The Master of the Imaginary Manuel Gasser: The Russian Years J. J. Leveque : Chagall and the Poets Denis Milhau: Chagall and the Theater Andre Verdet Chagall, Lover of the Mediterranean Dora Vanier From Memories to Myth G. di San Lanaro : The Song of Songs in Color. Signed by Author(s).

29 x 23,5 cm. [4], 25, [7] Seiten, 1 farbige Original-Lithographie von Marc Chagall. Schwarzer Oasenziegenlederband, signiert >Denise LaurenceDenise Laurence< with leather application and ray pattern made of partly gold-plated fillets. Copy number 354 of 420, another 30 not for trade (edition 450). Printed on wove paper in the Mourlot press. Circular edition made of red morocco, white title embossing and radiating geometric elements in hand gilding and white color printing. Inner edges with frame in gold embossing and red leather overlay. Mirror and attachment made of brown suede. Head gold cut. Two-tone hand-stitched capital. In an adapted slipcase with leather frame (this one with rubbing and abraisons). - Reference/Literature: Cramer 82. - Monod 10256. - Sorlier 587. - Mourlot 587. Sprache: französisch.

Relié. Condition: Très bon. Dust Jacket Condition: Très bon. Chagall (illustrator). Edition originale. In 4° relié toile sous jaquette illustrée, 100 pages, 141 numéros décrits et reproduits. Un des 100 exemplaires signés par Marc Chagall et comprenant une eau-forte originale sur Japon ancien. ( Cramer :" Chagall, Les livres illustrés" N° 102.). Signé par l'illustrateur.

First edition of this collection of work by a major artist of early modernism, with introduction by Weiland Schmied. Duodecimo, original pictorial boards, frontispiece self-portrait of Marc Chagall, illustrated with penciled and painted drawings. Boldly signed by Marc Chagall on the title page. In near fine condition. Marc Chagall was an early modernist Belarusian-French artist. Art critic Robert Hughes referred to him as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades, he "had also been respected as the world's preeminent Jewish artist.".

Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Chagall: Watercolors and Gouaches by Alfred Werner; published by Watson-Guptill, 1970 hardcover in dustjacket.( SIGNED TWICE by MARC CHAGALL in pencil-both on the 1/2 title age and the title page). "very very good condition, jacket in mylar protector, clean and tight. Signed by Illustrator.

Hardcover. Condition: Fine. Dust Jacket Condition: Fine. 1st Edition. 8° - 81pp - Color & B/w illustrations, as well as 5 colored separated leporellos. March Chagall (1887-1985) Belorussian-born French painter, printmaker, and designer who composed his images based on emotional and poetic associations, rather than on rules of pictorial logic. Predating Surrealism, his early works, such as "I and the Village" (1911), were among the first expressions of psychic reality in modern art. First edition, text in German language, inscribed in two colors and dated by Marc Chagall. In original pictorial cassette. In Fine condition. Inscribed by Illustrator(s).

Eigenhändiger Brief (1 S. 8°, Faltbrief mit rückseitig eigenhändiger Adresse) in Tinte mit Ort (Poststempel), Datum, Unterschrift signiert Paris, 31.V.1930 - an den Schriftsteller FERNAND MARC (1890-1979) in Paris, für den er Werke illustriert hatte, bedauert nicht an dessen DINER SALMON (Lachsessen) teilnehmen zu können, da eine voyage urgent bevorstehe, wird am 4. Juni nach Paris zurückkehren.

Condition: Fine. 35x25cm. Unframed. Printed in colours. Excellent condition. Verso: Black/white original lithograph by Chagall, signed in the stone 'Chagall Marc'. Published: Verve Vol. 1 / No. 3. - Marc Chagall (1887 - 1985), Russian-French artist.

Condition: Good. 9 silver prints. plus a contact sheet. Most 17 x 13 cm. Annotated, signed and dated 1.4.85 verso by the photographer. Includes Chagall's son David McNeil, his grandson Piet Meyer, his granddaughter Bella Meyer, and various dignitaries. Jewish Telegraphic Agency, April 2, 1985:"Marc Chagall, the Russian born Jewish painter, many of whose masterpieces were on Jewish themes, was buried today at Saint Paul De Vence, the village in the south of France where he lived and worked for the past 20 years. He died last Thursday at the age of 97.There were no religious rites. Chagall's widow, Valentina Brodsky, said the artist had specifically requested that there be no religious service at his burial. A family member recited the Kaddish but without the required minyan.The funeral was attended by a handful of family members and close friends and by diplomats of three nations. Two representatives of the Soviet Embassy in Paris were present as were French Foreign Minister Roland Dumas, Minister of Culture Jack Lang and Israel's Ambassador to France, Ovadia Soffer.". Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand, Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n'a pas voulu. Simone Signoret m'a dit que c'était bien d'avoir demandé? Montand a compris que je serai là, à la sortie du restaurant, et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu'il n'exploite pas durant plusieurs jours. C'est sur les conseils d'un copain qu'il prend enfin contact avec l'agence Gamma. Le début d'une belle carrière.En un quart de siècle, Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes, devenant l'un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César, entre autres. Bref, un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l'intimité de ses « clients ». Tout l'inverse des paparazzis au sens où on l'entend aujourd'hui : « J'ai une façon de travailler, dans le respect des personnes, sans doute parce que j'ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j'arrivais à avoir certaines photos. C'était simplement parce que j'étais bien vu, que je faisais mon boulot correctement. Et avec correction? Avoir une bonne réputation, dans ce milieu-là, ça compte, ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado, 13006 Marseille, France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93.

Condition: Good. Two large color photographs. One signed by Chagall and one annotated on the verso by the photographer and signed . 24 x 30.5 cm. Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand, Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n'a pas voulu. Simone Signoret m'a dit que c'était bien d'avoir demandé? Montand a compris que je serai là, à la sortie du restaurant, et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu'il n'exploite pas durant plusieurs jours. C'est sur les conseils d'un copain qu'il prend enfin contact avec l'agence Gamma. Le début d'une belle carrière.En un quart de siècle, Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes, devenant l'un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César, entre autres. Bref, un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l'intimité de ses « clients ». Tout l'inverse des paparazzis au sens où on l'entend aujourd'hui : « J'ai une façon de travailler, dans le respect des personnes, sans doute parce que j'ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j'arrivais à avoir certaines photos. C'était simplement parce que j'étais bien vu, que je faisais mon boulot correctement. Et avec correction? Avoir une bonne réputation, dans ce milieu-là, ça compte, ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado, 13006 Marseille, France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93.

Couverture souple. Condition: Très bon. Edition originale. Michel BUTOR, Le Boeuf Écorché / in memoriam Marc Chagall, poème, livre peint par Anne Slacik, Rivières Lucinges Pompignan, Décembre 2005, couverture blanche imprimée à rabats peinte de bout en bout par l'artiste, en feuilles, 7 double f., 22x16,5cm. XII exemplaires, tous uniques. Belle impression sur papier d'Arches, papier de prédilection de l'artiste. Exemplaire n°10 justifié et signé par l'artiste et l'auteur au colophon. Il s'agit du 346e livre édité par les Éditions de Rivières initiées par Jean-Paul Martin, petit cousin de Pierre André Benoit, en 2002, dans la continuité des éditions PAB, et le septième d'une longue collaboration entre Michel Butor et les Éditions de Rivières qui comprendre une centaine de livres. Le boeuf écorché est publié ici en édition originale. Il relève de l'ekphrasis ou transposition d'art du tableau éponyme de Marc Chagall conservé au Centre Pompidou, à Paris. Le tableau de Chagall s'inscrit dans la grande tradition de représentation picturale de ce thème de nature morte ou de peinture de genre, cher aux peintres du Nord, depuis le XVIe siècle, comme Pieter Aertsen, Joachim Beuckelaer, Van Cleve, Pieter Brueghel, Joachim Beuckelaer, Frans Snyders et bien sûr Rembrandt. Le memento mori ou « souviens-toi que tu es mortel », suggéré dans le chef-d'oeuvre de Rembrandt, est transposé chez Chagall dans son petit village enneigé de Vitebsk et met en scène la tension entre le sacré et le profane dans la dimension sacrificielle de l'animal. Michel Butor en propose une lecture à la fois descriptive et poétique toute personnelle. Anne Slacik est intervenue dans l'ouvrage dans une composition à pleine page pour la page de titre, une composition à pleine page en frontispice, une grande composition en double page, une composition à pleine page en clôture du poème de Michel Butor, une dernière composition au colophon. « C'est un boucher céleste qui vient de sacrifier l'animal qui s'abreuve avec son propre sang son oeil rouge est ouvert comme pour nous narguer sa peau s'est déroulée pour recouvrir la nuit A travers les pignons du village transi on voit s'interroger les couples affamés les oiseaux affolés cherchent à s'échapper sur la neige des toits ou le verglas des ruelles Les larmes de sa graisse nourrissant les chandelles qui répandent leur lueur de pourpre et de savons sur les sommeils troublés dans les chambres étroites ou devant les autels des églises désertes Le martyre animal crucifié dans la nuit répand sur notre exil sa réconciliation réchauffant notre coeur dans la déréliction où nous avaient laissés prophètes et parents Nous le dévorerons pour acquérir sa force sa patience et ses cornes qui s'illumineront et les cieux s'ouvriront délivrés des couteaux pour fondre notre neige et brûler notre sang. » Tirage d'une très grande rareté car un nombre infime d'exemplaires a circulé. Ouvrage en parfait état de conservation. * ** Anne Slacik est née à Narbonne en 1959. Elle vit et travaille à Saint-Denis et dans le Gard. Après des études en arts plastiques à l'Université de Provence, puis à l'Université de Paris I, elle est agrégée en arts plastiques puis enseigne jusqu'en 1990. Prix de peinture de la fondation Fénéon en 1991, elle se consacre entièrement depuis à son art. Outre son importante oeuvre peinte, largement plébiscitée, Anne Slacik excelle dans le domaine du livre peint. Elle a notamment enluminé de nombreux recueils de Salah Stétié, Michel Butor, Pierre-André Benoit, Bernard Noël, René Pons, James Sacré, Régine Detambel, Jean-Pierre Faye, etc. Bibliographie : - Anne Slacik. Peintures et livres peints 1989-2012, textes de Bernard Noël, édité par le musée d'art et d'histoire de Saint-Denis et les éditions IAC, 2012, 158 p. - Anne Slacik. La Bohème est au bord de la mer, peintures et livres peints, Manoir des livres, Lucinges, 2020. Signé par l'auteur.

HOMMAGE A MARC CHAGALL Großer Ausstellungskatalog Grand Palais dec. 1969 - mars 1970, Ministere d Etat Affaires Culturelles, Reunion des Musees Nationaux, 320 SS. illustriertes Pb. kl. 4° mit vielen ganzseitigen Abbildungen / Reproduktionen seiner Gemälde, Einband gering berieben, sonst gut erhalten - mit eigenhändiger Widmung Pour Dr. Hugges, Jahr 1969, Unterschrift signiert.

Signed large colour 6-cent stamp of the stained-glass memorial by Marc Chagall, which he created for the United Nations in honour of Dag Hammarskjold, 3 x 4,75 inch (affixed on a slightly larger card, signed in blue ballpoint ink "Marc Chagall", attractively mounted (removable) for fine display with a photograph, shows Marc Chagall in front of an artwork (altogether 11,75 x 8,25 inch), in very fine condition.

Exhibition catalogue signed, `Kunstblätter - Marc Chagall` (35/36), 72 pages, 6,25 x 8,75 inch, catalogue for the exhibition in the Gallery Nierendorf (9.09.-30.11.1976), published by Markert & Co Druck (one-time edition of 2000 pieces), Berlin, 1976, in German, signed on the first page in blue wax crayon "Marc Chagall", with mild signs of wear to the cover - in fine to very fine condition.

Hardcover. Condition: Very Good. No Jacket. 1st Edition. SIGNED BY CHAGALL. Association copy. Museum of Modern Art, New York, 1946; First Edition exhibition catalogue. Printed by Plantin Press. 4to. 102pp. 3 color plates and several b/w ills., pls., bibliography. Pictorial yellow cloth covered boards, illustrated in green and black. CONDITION: Paper signatures very good, with faint time staining at edges as expected; a few lightly penciled annotations by previous owner/dedicatee of this book, poet Hazel Collister Hutchison. Illustrations on endpapers were made by the artist especially for this catalog. Ink signed and dedicated by Chagall: "For Hazel Collister Hutchison. de Marc Chagall 1948.". Signed by Illustrator(s).

Kein Einband. Condition: Gut. Lothar Homeyer, Berlin 18830 * 1969, Marc Chagall, 1946, Tuschezeichnung, stellenweise weiß gehöht auf Papier / Karton , Rechts unten monogrammiert und datiert, links unterhalb der Zeichnung betitelt, Blattgröße: 29,5 x 21 cm, Zustand: guter Zustand, leicht gebräunt (siehe Fotos), Besichtigung und Abholung nach vorheriger Terminvereinbarung gerne möglich, Echtheit wird schriftlich bestätigt. Lothar Homeyer hat zusammen mit Heinrich Richter-Berlin und Otto Freundlich um 1907/1908 in der Kunstschule Lothar v. Kunowski in Berlin studiert. Seit 1906 stand er in Kontakt mit Herwarth Walden, in den Jahren 1911/1912 fungierte er zudem als Mitarbeiter des Berliner Büros der Fackel. Homeyer steuerte in den 1910er-Jahren grafische Beiträge für die avantgardistischen Literatur-Zeitschriften und Sammlungen Aktion, Die Schöne Rarität (von Adolf Harms), Der Einzige (1919) und Das Aktionsbuch bei. 1919 war er Gründungsmitglied der Künstlervereinigung Novembergruppe. Lothar Homeyer gehörte schon vor dem Ersten Weltkrieg zum engsten Freundeskreis Salomo Friedlaenders, zu dessen literarischen Publikationen wie Rosa die schöne Schutzmannsfrau (1913) oder Graue Magie. Ein Berliner Nachschlüsselroman (1922) er Illustrationen beisteuerte. Nach der Machtergreifung durch die Nationalsozialisten nannte er sich Popowitsch, um die Briefzensur zu täuschen. Er erblindete nach dem Zweiten Weltkrieg. Lothar Homeyer illustrierte auch Victor Hadwigers Roman Des tragischen Affen Jogo Liebe und Hochzeit (1919). Signatur des Verfassers.