Published by CreateSpace Independent Publishing Platform, 2018
ISBN 10: 1985648377 ISBN 13: 9781985648371
Language: English
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Independently published, 2019
ISBN 10: 1082277258 ISBN 13: 9781082277252
Language: Italian
Seller: medimops, Berlin, Germany
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Published by Independently published, 2019
ISBN 10: 1081740620 ISBN 13: 9781081740627
Language: Italian
Seller: medimops, Berlin, Germany
Condition: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Published by Black Letter Press, Germany, 2020
Seller: Peruse the Stacks, ABAA, Gig Harbor, WA, U.S.A.
First Edition
First edition. From the publisher: Heinrich Cornelius Agrippa's 'Three Books of Occult Philosophy' has exerted a fascination for centuries. Our new translation from the Latin of the 1533 edition aims to make this foundational work accessible to a new, wider audience. We will be publishing the text in three volumes, along with a fourth containing the apocryphal 'Fourth Book', and other magical texts by, or attributed to, Agrippa. Volume One is Agrippa's treatise on 'Natural Magic', and describes how the elemental world we inhabit relates to the archetypal realm, and the wonderful ways that contact manifests in the natural world, and within ourselves. It is also an account of how we cannot know the world by reason alone, but by experience and experimentation in a spirit of wonder. For Agrippa, the scientific and the magical have yet to part ways. . 8vo. 326pp. Hardcover bound in Absinth-Green Geltex, 120 gram black Endpapers, Printed on 115 g wood free, age resistant Munken Premium Cream paper, Sewn Book Block, Black Bookmark and Headbands, Gilded on the front and spine, Limited to 333 copies, this one numbered 19, near fine.
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition.
Seller: Berliner Büchertisch eG, Berlin, Germany
First Edition
Softcover. Condition: Befriedigend. 1. Aufl. 589 S. !!Ecken des Buchdeckels sind angestossen, Buchrücken ist schief gelesen!! Akzeptables Exemplar, deutliche Gebrauchsspuren, Cover/SU berieben/bestoßen, Papier/Schnitt nachgedunkelt, ist aber noch gut zu gebrauchen; Acceptable copy, noticeable wear, cover/dust jacket shows wear, edges/text pages show yellowing/darkening, but still of use. A241010ah185 ISBN: 9783891908419 Sprache: Deutsch Gewicht in Gramm: 396.
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Published by Black Letter Press, Hannover, 2020
First Edition
Hardcover. Ltd. Black Letter Press Edition. NEW all four books still in publisher's shring wrap. Published by Black Letter Press, 2020, 4 volumes Translated and introduced by Paul Summers Young; Cover Design by Alice Rocchetti Hardcover bound in Absinth-Green Geltex ;in Wine-Red Italian Fedrigoni Imitlin; in Blue Fedrigoni Imitlin; in Italian Fedrigoni Imitlin Measures 6.5" x 4.25" (100×160 mm) 120 gram black Endpapers Printed on 115 g wood free, age resistant Munken Premium Cream paper Sewn Book Block Black Bookmark and Headbands Gilded on the front. --- Description from the Publisher: Heinrich Cornelius Agrippa's 'Three Books of Occult Philosophy' has exerted a fascination for centuries. Our new translation from the Latin of the 1533 edition aims to make this foundational work accessible to a new, wider audience. We will be publishing the text in three volumes, along with a fourth containing the apocryphal 'Fourth Book', and other magical texts by, or attributed to, Agrippa. Volume One is Agrippa's treatise on 'Natural Magic', and describes how the elemental world we inhabit relates to the archetypal realm, and the wonderful ways that contact manifests in the natural world, and within ourselves. It is also an account of how we cannot know the world by reason alone, but by experience and experimentation in a spirit of wonder. For Agrippa, the scientific and the magical have yet to part ways. Volume 2 Translated and introduced by Paul Summers Young Cover Design by Alice Rocchetti Heinrich Agrippa von Nettesheim Book Two of Agrippa's work, "Celestial Magic", explores the celestial realm and can be divided into two parts. The first part focuses on the significance of numbers, harmonics, and their connection to the divine and ideal. Agrippa's intricate descriptions of mathematical relationships within the human body can be both fascinating and perplexing, leaving you wondering where it all leads. A notable section, "The Scales," takes readers on a poetic journey through numbers, similar to the themes in the film "Pi." Agrippa emphasizes the omnipresence of mathematics in our world and suggests that understanding its secrets can unlock profound messages. This section blurs the line between inspiration and paranoia, making you question the true significance of everything. Agrippa also delves into how numbers are expressed in writing, connecting music, magic, and the appreciation of our world. The second part of the book explores the stars and their symbolism, including the Mansions of the Moon and the Decans. Unlike conventional astrology, these entities are more like ancient and unpredictable spirits, blighting and blessing without a moral compass. This controversial nature made them challenging to incorporate into serene worldviews. Agrippa's work touches on geomancy, how celestial symbols influence the subconscious, and how the magician weaves these elements into something new. However, he tantalizingly leaves readers hanging, suggesting that they explore geomancy in more specialized texts. n the conclusion to Book Three - Ceremonial Magic, of the Occult Philosophy, Agrippa delivers a somewhat generic tirade, essentially suggesting that if readers find his work confusing, it's because they lack the necessary wisdom to understand it. However, he drops hints about an arcane knowledge that only the wise can discover by connecting the dots. He discusses ceremonial methods for performing magical rites and emphasizes the importance of the inward and outward preparation for practicing magic. He touches on various topics but stands out when discussing prophecy and prophetic dreams, suggesting that Book Three is about becoming a vessel for personal revelation. Agrippa's unique aspects in this book include his fluid use of terminology, moving between 'God' and 'the gods,' and his emphasis on silent contemplation as the best form of prayer. His work hints at a more democratic approach to personal, transformative experiences of God or spiritual revelation. Agrippa's work opens up discussions about the relationships between rediscovered Paganism, Renaissance Neoplatonism, the emergence of modern science and philosophy, and religious controversies of his time. In summary, his work is attractive for its ecumenical and mystical approach to understanding and experiencing the divine. This final section of "The Three Books of Occult Philosophy" includes new translations of extracts from Agrippa's work "De Incertitudine et Vanitate Scientiarum" (1530) and the potentially apocryphal "Liber Quartus de Occulta Philosophia" (1559), which also contains the Heptameron, or Elementa Magica de Petri de Abano. "Liber Quartus" serves as a practical guide to magical rituals, grounded in Agrippa's academic text. It reflects the magical subculture of his time and offers an open-source approach to magic. On the other hand, the Heptameron, although related to Agrippa's work, is a sequence of texts prescribing magical rituals more akin to liturgical handbooks. Agrippa's work in "De Incertitudine et Vanitate Scientiarum" satirizes various aspects of human endeavor and emphasizes the importance of revelation and happiness. He criticizes astrology and hints at paradigm shifts and the possibility of other worlds. Agrippa uses humor to make his critique engaging and explores various magical arts. While he critiques charlatans, he presents a nuanced view of natural magic, suggesting that these matters need a rational approach. This collection of extracts captures Agrippa's engaging and thought-provoking tone, making his humor and wisdom accessible to modern readers. It includes discussions of monks and prostitution, where Agrippa's warmth, humor, and societal critiques shine through. These passages provide insight into Agrippa's complex personality and his views on various aspects of life, magic, and human nature.
Black Letter Press, 2020. Publishers decorated boards. 326 pages. Nice copy in very fine condition. Limited and numbered edition of 333 copies of which this is number 175.
J. Scheible`s Verlag, Kiel, 1921. 224 S. mit zahlr. Holzschnitten, broschiert (eine Tafel fleckig/Rücken mit Fehlstelle)---Verlag: J. Scheible`s Verlag Verlag: J. Scheible`s Verlag 76 Gramm.
Published by Stuttgart, Verlag J. Scheible 1855;, 1855
Seller: Antiquariat Hilbert Kadgien, Marktredwitz, Germany
(EA); ca 14x19 cm; 224 Seiten mit wenigen Textholzschnitten und 3 Falttabellen; Originalbroschureinband mit Deckeltitel (Einband leicht bestoßen, Seiten unbeschnitten, eine Tabelle mit geklebtem Einriß; sonst guter Zustand) - Kein Versand nach Frankreich!
Lugduni [Lyon], Apud Godefridum & Marcellum, Beringos, fratres [Chez Godefroid & Marcellin Beringen], 1550. In-8 (189 x 118 mm) de [10] ff. (au lecteur, dédicace et index), 586 pp., [1] f. bl., [2] ff. (colophon et marque d?imprimeur). (SIG. a8 b2 a-z8 A-O8)Peau de truie sur ais de bois, grand décor entièrement estampé à froid sur les plats, à motifs de fleurs et de glands, dos à nerfs orné de rinceaux estampés à froid, pièce de titre de papier apposée postérieurement avec mentions manuscrites, boîte-livre de protection en demi maroquin noir, dos à nerfs, auteur, titre et date dorés (rel. de l?époque). Belle édition, rare, du plus célèbre traité de l?auteur avec son De incertitudine & vanitate scientiarum. Elle est ornée de bois gravés dans le texte (certains emblématiques et très célèbres), de 7 tables, 4 planches dépliantes ainsi que de la marque des fameux frères Beringen sur le titre (Sylvestre n°219) et au dernier feuillet (Sylvestre n°534).L?originale fut donnée par Grapheus en février 1531.Agrippa se base sur une division du monde en trois parties : terrestre, céleste et intellectuelle. «Les connaissances qui s'y rapportent forment naturellement trois grands groupes, où se classent d'une manière distincte les notions qui concernent les forces de la nature, objet de la magie naturelle, celles qui regardent les vertus supérieures, c'est-à-dire la magie céleste, et celles qui sont relatives aux religions et qui constituent la magie cérémoniale. A chacun de ces trois groupes est consacré un des trois livres de l?ouvrage.» (Auguste Prost, Corneille Agrippa, sa vie et ses oeuvres, t. I, pp. 66 et sq.)Le premier livre renferme un ensemble de considérations sur la Nature et sur l?homme, sur les propriétés terrestres mais aussi célestes, et leurs relations. Dans lesecond livre, l?auteur examine les liens mystérieux qui existent entre les corps et les esprits, et dans le dernier il décrit les pratiques religieuses de tous les peuples chez tous les peuples depuis les temps les plus reculés.«Whatever its defects, Agrippa's De occulta philosophia gave a more general presentation of the subject than could be found elsewhere, at least in print. Partly on this account, partly because of its daring enunciation of certain suspect doctrines such as that of a world soul, partly because of advertising which it received by being placed on various lists of prohibited books and Indexes, it found a number of editions and readers during the next two centuries [?]. Agrippa became the hero or villain of legendary tales in the handbooks on witchcraft" (Thorndike, V, 136).Superbe et précieux exemplaire dans sa première reliure en peau de truie estampée. Condition rarissime.Ex-libris manuscrit dans la marge inférieure du titre : «Df. Franc. Jachimovicz 1874». Reliure un peu tachée. Intérieur immaculé.Adams A 387 (qui cite seulement 2 planches dépliantes). Baudrier III, 49. Coumont A15.6.