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Book Description Condition: New. Brand New. Seller Inventory # 9783037643297
Book Description Hardcover. Condition: new. Seller Inventory # 9783037643297
Book Description Condition: New. Seller Inventory # 19995390-n
Book Description Condition: New. Editor(s): Julliard, Julie Enckell. Num Pages: 224 pages, 100 colour, 70 b&w illustrations. BIC Classification: ACXJ; AFJD; AGB. Category: (G) General (US: Trade). Dimension: 270 x 280 x 23. Weight in Grams: 1231. . 2013. Hardback. . . . . Seller Inventory # V9783037643297
Book Description Condition: New. Editor(s): Julliard, Julie Enckell. Num Pages: 224 pages, 100 colour, 70 b&w illustrations. BIC Classification: ACXJ; AFJD; AGB. Category: (G) General (US: Trade). Dimension: 270 x 280 x 23. Weight in Grams: 1231. . 2013. Hardback. . . . . Books ship from the US and Ireland. Seller Inventory # V9783037643297
Book Description Condition: Neuf. Seller Inventory # 9783037643297
Book Description Hardcover. Condition: new. Hardcover. Swiss artist Pierrette Bloch (born 1928) has been active in the field of postwar abstraction and contemporary drawing since the 1950s. A student of Henri Goetz and Andre Lhote, Bloch developed a corpus of paintings, collages, drawings and three-dimensional works whose guiding principles are economy of means and materials (horsehair, sailing ropes, paper, ink); the use of primary forms (dots, curls, lines); the use of seriality and variation; and a writing-like style of inscription. For this first complete monograph on Bloch's practice from the 1950s to the 1980s, the book's editor, Musee Jenisch curator Julie Enckell Julliard, has invited contributions from an international panel of art critics, including Catherine de Zegher, Pamela M. Lee, Philippe Piguet and Helene Trespeuch. Their essays address all facets of the artist's work, from examinations of her drawing practice to a reflection on her position within modernist abstraction. A biographical essay concludes the book. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9783037643297
Book Description Hardcover. Condition: new. Hardcover. Swiss artist Pierrette Bloch (born 1928) has been active in the field of postwar abstraction and contemporary drawing since the 1950s. A student of Henri Goetz and Andre Lhote, Bloch developed a corpus of paintings, collages, drawings and three-dimensional works whose guiding principles are economy of means and materials (horsehair, sailing ropes, paper, ink); the use of primary forms (dots, curls, lines); the use of seriality and variation; and a writing-like style of inscription. For this first complete monograph on Bloch's practice from the 1950s to the 1980s, the book's editor, Musee Jenisch curator Julie Enckell Julliard, has invited contributions from an international panel of art critics, including Catherine de Zegher, Pamela M. Lee, Philippe Piguet and Helene Trespeuch. Their essays address all facets of the artist's work, from examinations of her drawing practice to a reflection on her position within modernist abstraction. A biographical essay concludes the book. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Seller Inventory # 9783037643297